Shamanic drum circle instrumentation centers around percussion, but may include other instruments, such as flutes, didgeridoos and other non-percussion instruments. Every musical instrument has a unique energy, spirit and sound. Sound is regarded as one of the most effective ways of establishing connections with the spirit realm, since it travels through space, permeates visual and physical barriers and conveys information from the unseen world. Sound-producing instruments facilitate interaction and relationship among all parts of the living world.
Conch Trumpets - Sound does not just travel out into oblivion. There is a call and then a response. When Iroquoian people of present-day central and upstate New York discuss "sending out a sound," they mention blowing on a conch shell to attract attention, signaling the start of a ceremony, notifying the community, and drawing the Creator's participation. The conch is sounded at the beginning of important rituals because the sound is believed to have the ability to drown out any negative words or noises that might disturb or disrupt the harmonious atmosphere. The sound of conch is understood as the source of all existence -- a cosmic womb, for when the conch is blown, it is said to emulate the primordial sound from which all else emanates.
Didgeridoos - The didgeridoo is one of the world's oldest musical instruments, originating in Australia many thousands of years ago. It is a wooden wind instrument that produces a resonant trance inducing drone called "the voice of the Earth" to support the listener in making shamanic journeys. Didgeridoos produce a range of infrasonics; extremely low frequency sound waves that are below the human auditory threshold but nonetheless enter the brain. These waves are picked up by the cochlea (labyrinth) of the ear and influence the vestibular, circadian systems of the brain. Infrasonics stimulate a wide array of euphoric trance-like states. This may help to explain why the didgeridoo found its way into Aboriginal shamanic and healing practices thousands of years ago.
Drums - The circular frame drum is the most popular instrument played in shamanic drumming circles. These drums are durable, easy to handle, and highly resonant. Plus, frame drums are less intimidating than other drum types, based on the simple design and method of play, allowing beginners to easily stroke a rhythm, and enabling those with disabilities to reap the benefits of rhythm and sound therapy. However, by their very nature, most community drum circles invite all to participate with whatever percussion instrument is available. Virtually any type of drum may be played, though most drum circles exclude drum kits. So, by all means, do not hesitate to play any instrument you have available such as a djembe, conga or tambourine.
Flutes - According to Ute-Tiwa shaman Joseph Rael, "The flute is an instrument connecting the two worlds, the non-physical with the physical. The breath of the flutist is the breath of God coming through a hollow reed; the sound is that of the invisible lover courting the visible lover, the metaphor of the lover and the beloved." The flute opens a path of communication between the spiritual and earthly realms. The flute is related to the soul, which extends far beyond the physical body, connecting us to the symphony of the universe. Something transcendent happens when you begin to play a flute. You journey deep inside yourself and bring out the cosmic music of your soul. Nothing matters -- audience, place, time -- you just get lost in the music. You become the music -- notes, rhythm and melody.
Rattles - The repetitive sound of the rattle, like that of the drum, helps induce trance states. The shaking of rattles creates high-pitched frequencies that complement the low frequencies of drumbeats. The high tones of rattles resonate in the upper parts of the body and head. The low tones of drums act primarily on the abdomen, chest, and organs of balance, while stimulating an impulse toward movement. Rattles stimulate higher frequency nerve pathways in the cerebral cortex than do drums. This higher frequency input supplements the low frequency drumbeats, thereby boosting the total sonic effect.
Voice as musical instrument - It is likely that the first musical instrument was the human voice itself. The voice can be viewed as the ultimate musical instrument, since it is capable of instant expression with no instrument required to render thoughts and feelings into sound. With the human voice, thought nearly equals sound. The voice is capable of producing an incredibly wide range and depth of expressions. Musicians often replicate aspects of the human voice with their instruments because of its pure expression and feeling. The human voice is the social glue that binds us and the most important sound in our lives.
Conch Trumpets - Sound does not just travel out into oblivion. There is a call and then a response. When Iroquoian people of present-day central and upstate New York discuss "sending out a sound," they mention blowing on a conch shell to attract attention, signaling the start of a ceremony, notifying the community, and drawing the Creator's participation. The conch is sounded at the beginning of important rituals because the sound is believed to have the ability to drown out any negative words or noises that might disturb or disrupt the harmonious atmosphere. The sound of conch is understood as the source of all existence -- a cosmic womb, for when the conch is blown, it is said to emulate the primordial sound from which all else emanates.
Didgeridoos - The didgeridoo is one of the world's oldest musical instruments, originating in Australia many thousands of years ago. It is a wooden wind instrument that produces a resonant trance inducing drone called "the voice of the Earth" to support the listener in making shamanic journeys. Didgeridoos produce a range of infrasonics; extremely low frequency sound waves that are below the human auditory threshold but nonetheless enter the brain. These waves are picked up by the cochlea (labyrinth) of the ear and influence the vestibular, circadian systems of the brain. Infrasonics stimulate a wide array of euphoric trance-like states. This may help to explain why the didgeridoo found its way into Aboriginal shamanic and healing practices thousands of years ago.
Drums - The circular frame drum is the most popular instrument played in shamanic drumming circles. These drums are durable, easy to handle, and highly resonant. Plus, frame drums are less intimidating than other drum types, based on the simple design and method of play, allowing beginners to easily stroke a rhythm, and enabling those with disabilities to reap the benefits of rhythm and sound therapy. However, by their very nature, most community drum circles invite all to participate with whatever percussion instrument is available. Virtually any type of drum may be played, though most drum circles exclude drum kits. So, by all means, do not hesitate to play any instrument you have available such as a djembe, conga or tambourine.
Flutes - According to Ute-Tiwa shaman Joseph Rael, "The flute is an instrument connecting the two worlds, the non-physical with the physical. The breath of the flutist is the breath of God coming through a hollow reed; the sound is that of the invisible lover courting the visible lover, the metaphor of the lover and the beloved." The flute opens a path of communication between the spiritual and earthly realms. The flute is related to the soul, which extends far beyond the physical body, connecting us to the symphony of the universe. Something transcendent happens when you begin to play a flute. You journey deep inside yourself and bring out the cosmic music of your soul. Nothing matters -- audience, place, time -- you just get lost in the music. You become the music -- notes, rhythm and melody.
Rattles - The repetitive sound of the rattle, like that of the drum, helps induce trance states. The shaking of rattles creates high-pitched frequencies that complement the low frequencies of drumbeats. The high tones of rattles resonate in the upper parts of the body and head. The low tones of drums act primarily on the abdomen, chest, and organs of balance, while stimulating an impulse toward movement. Rattles stimulate higher frequency nerve pathways in the cerebral cortex than do drums. This higher frequency input supplements the low frequency drumbeats, thereby boosting the total sonic effect.
Voice as musical instrument - It is likely that the first musical instrument was the human voice itself. The voice can be viewed as the ultimate musical instrument, since it is capable of instant expression with no instrument required to render thoughts and feelings into sound. With the human voice, thought nearly equals sound. The voice is capable of producing an incredibly wide range and depth of expressions. Musicians often replicate aspects of the human voice with their instruments because of its pure expression and feeling. The human voice is the social glue that binds us and the most important sound in our lives.
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