Wednesday, December 5, 2012

"Shamanic Journey Down Tobacco Road"

My Journey With My Ally Plant
by Dr. Carol Parker
"About 10 years ago while leading one of my first vision quest ceremonies in a remote location in Death Valley, I was shocked when a young woman named Ricki returned from her solo site laden with three - foot long stalks of Wild Tobacco. I had no idea tobacco could grow in such a bone-dry environment. Ricki is an accomplished herbalist, and explained to the group that she had found a spring about two miles from basecamp in a hidden canyon, and near the spring were thick stands of this sacred plant. She planned to dry them and use the dried tobacco in ceremony." Read more.

Saturday, December 1, 2012

The Mayan Calendar and Spiritual Evolution

Kenneth Johnson is the author of Jaguar Wisdom: An Introduction to the Mayan Calendar, the only available book written with the assistance of traditional Mayan Daykeepers. In an article for Parabola Magazine, Johnson explains how the Maya used the Mesoamerican Sacred Calendar to compute large cosmic and historical cycles using a system of reckoning called the Long Count. The Long Count is one of the greatest achievements of Maya civilization -- a unique and visionary effort to mathematically quantify and define cycles of emergence. In Maya cosmology, the world is constantly developing in a state of emergence, and hence unstable. Therefore it must be maintained through a mutual divine-human interaction. It is only through the prayers of human beings and their spiritual behavior that the world's equilibrium is made possible. This idea of humankind's spiritual evolution lies at the heart of the history of the cosmos as the Maya understood it

Monday, November 26, 2012

The Archaeoacoustics of the Maya Pyramid of Kukulkan

On my first pilgrimage to the Maya ceremonial center of Chichen Itza in March 1995, I discovered that an incredible acoustic phenomenon can be heard at the Pyramid of Kukulkan. If you clap your hands directly in front of the pyramid's main staircase, it echoes back an almost mechanical bird-like chirping sound. Handclaps from different positions along the base of the staircase likewise trigger the echo, but with different musical tones spanning half an octave. Tour guides and tourists like to clap their hands to hear a chirped echo in a range of different notes. 

Me atop Kukulkan Pyramid in 1995
In 1998 acoustician David Lubman recorded the hand-clap echoes at Kukulkan Pyramid and compared them with recordings of the nearly extinct Quetzal, the sacred bird associated with both the name of the pyramid and its plumed serpent deity Kukulkan/Quetzalcoatl. He found that recordings and sonograms of several echoes really do match the bird's cry. Even more amazing is that same clap also seems to echo back the sound of a rattlesnake off the stairway of the nearby Temple of the Warriors a split second after the bird sound. On either side of the stairway are two stone columns four feet wide, carved to represent feathered rattlesnakes. It takes a while to find the right spot to clap to get the effect of both sounds, but it's worth it to hear that at least once in a lifetime. 

Whether the pyramid was built to deliberately produce these evocative echoes, or it happened by chance, is still a matter of debate among scientists and archaeologists. Inspection and ray acoustic modeling provide a simple physical explanation for the chirped echo -- the "picket fence effect" due to periodic sound reflections from the treads of the staircase. The reason that a chirp like a bird is produced is because of geometry. The time between later reflections is longer than early reflections causing the frequency of the echo to rapidly drop by about an octave.

Me in the Ballcourt with friends-1995
The Great Ballcourt is another structure at Chichen Itza that displays unusual and unexplained acoustic anomalies. The stone walls act like an acoustic waveguide and words softly whispered at one end of the ball court (measuring 545 feet long by 225 feet wide) are clearly audible all the way at the other end and a single clap or shout sounded in the center of the ball court will produce nine distinct echoes. According to acoustician David Lubman, "the Great Ballcourt (GBC) can produce mind-bending sound effects supportive of ancient Maya mythology described in their best-known creation story, the Popol Vuh. GBC sound effects include hallucinatory disembodied voices, shouting crowds, the whooping of an invisible bird flying rapidly through the playing field, and, with middling success, growling jaguars and menacing rattlesnakes. These animals are also represented in GBC carvings and frescoes."

Lubman's findings at Chichen Itza suggest that its ancient builders were skilled theatrical sound designers who engineered sound for mind manipulation. Sound effects discovered so far seem uniquely appropriate for each monument and may be intentional designs. If the theory of intentional design has merit, we are led to two extraordinary conjectures. The Maya may be the only people known to have "coded" a sound into stone. The chirped echo at this 1300-year-old Maya pyramid in the Yucatan may be the world's oldest known sound recording!

Friday, November 23, 2012

Shamanic Journey Drumming

Shamanic Journey Drumming is now available on iTunes. This album has been digitally recorded to support the listener in making shamanic journeys. The harmonic overtones and undertones on this recording were produced by a 22-inch single-headed, elk hide, cedar frame drum pulsed at four-beats-per-second. This tempo induces a theta wave cycle in the brain. Theta rhythms are associated with the deepest states of shamanic consciousness. Researchers have found that if a tempo of four-beats-per-second is sustained for at least 15 minutes, most people can journey successfully even on their first attempt. Listen to all my music on SoundCloud. To learn more read Shamanic Journeying.