Tuesday, July 30, 2013

"Not Quite Shamans"

In Not Quite Shamans, Morten Axel Pedersen explores how shamanism serves to fill the spiritual void left by the collapse of socialism in Mongolia. Pedersen conducted his ethnographic fieldwork in Northern Mongolia's remote Shishged Valley among Darhads, who are famous for having the most "authentic" shamans. When Pedersen arrived to conduct his research in the late 1990s, however, he found a paradox: the homeland of shamanism, where shamans persevered even through the harshest persecution during socialism, was now barren. Instead of shamans, the place was full of böö shig or böörhuu individuals (shaman-like or sort-of-a-shaman-but-not-quite). These are almost exclusively young men who ought to be shamans but are unable to become them because of lack of accessible "authentic" teachers and insufficient resources to obtain shamanic paraphernalia that are necessary for appeasing and controlling the spirits -- the traits of trained shamans. 

Unable to learn how to subdue the spirits and so choose when to become possessed and when not, these young men remained permanently stuck as what Pedersen calls "not-quite-shamans." Pedersen illustrates how the daily lives of Darhads are affected by these "not-quite-shamans," whose undirected energies erupted in unpredictable, frightening bouts of violence and drunkenness. His main argument is that the lack of shamans does not make the Darhad life any less shamanic. Quite the contrary, without shamans, shamanism thrives and seeps through every pore of the moral, cultural, and natural lives in Shishged. Pedersen details how, for many Darhads, the postsocialist state itself has become shamanic in nature. 

"For scholars of shamanism, Pedersen, by demonstrating that it is not always the shamans who carry the practice to the new generations but the entire community, reveals some nuances behind shamanic resiliency around the world…" 
 - Review by Manduhai Buyandelger in American Anthropologist, Volume 115, Issue 1. 

Monday, July 22, 2013

Sacred Art and Shamanism

Streaming live on the Co-Creator Radio Network on Tuesday, July 23, at 11am Pacific/2pm Eastern on "Why Shamanism Now? A Practical Path to Authenticity," Christina Pratt talks to visual artist, author, and shamanic practitioner Faith Nolton, who explains, "Making sacred images co-creates reality and feeds into the soul and web of life. Making paintings with sacred intention, one has a foot in both everyday reality (the act of painting or drawing) and the spirit worlds (trance state). Keeping a balance between the two is where the point of creation lies." According to Nolton, this is what makes sacred art sacred. The act of creating sacred art is an ancient and honored shamanic practice. Prior episodes from "Why Shamanism Now" can be downloaded for free on iTunes

Saturday, July 20, 2013

Elisia Drake's "Forest Ones"

The Forest Ones are unique hand-formed clay and wire figurines clothed with natural plant materials. Each creation is an original, nature-inspired sculpture by multimedia artist Elisia Drake. Elisia brings out the animated spirit of each Forest One through the expressive qualities of clay and organic matter. Each Forest One comes with its own name, personality and care instructions. To meet Elisia and her Forest Ones, please visit booth #D30 at Faerieworlds 2013: International Faerie Festival at Emerald Meadows in Eugene, Oregon July 26-28, 2013. View Exhibitors map. View the Forest Ones gallery.

Monday, July 15, 2013

Crafting Rawhide Rattles

Rattles are a universal, cross-cultural tool for inducing trance states and establishing connections with the spirit realm. Shamans believe that the sound of the rattle opens doors to the spirit world and attracts the attention of its inhabitants. The repetitive sound of the rattle, like that of the drum, helps induce shamanic trance. The shaking of rattles creates high-pitched frequencies that complement the low frequencies of drumbeats. The high tones of rattles resonate in the upper parts of the body and head. The low tones of drums act primarily on the abdomen, chest, and organs of balance. Rattles stimulate higher frequency nerve pathways in the cerebral cortex than do drums. This higher frequency input supplements the low frequency drumbeats, thereby boosting the total sonic effect. To craft your own rawhide rattle; view video.