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Elder Addressing Crowd
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Sunday, September 4, 2016
Sioux Nation Defends Its Waters from Pipeline
Sunday, August 28, 2016
Battling for the Earth: the Huicholes
In the fight for the land against mining multinationals, the Huicholes represent us all. They are the last Peyote Guardians.
In his two-hour indie documentary, Huicholes: The Last Peyote Guardians, HernĂ¡n Vilchez captures one of the last Mesoamerican civilizations to preserve their distinctive way of life in an ever-globalizing world – still able, until now. The Huicholes tribe has been a largely resilient culture that lives in parallel to contemporary Mexico. Carbon dating proves their people’s existence long before Christ and their beliefs predate those of mainstream religions, practicing an early form of animistic and pantheistic mysticism.
Every year they perform an 800-kilometre pilgrimage to the top of the Cerro Quemado, a sacred mountain in the fertile semi-desert area of Catorce, where the hallucinogenic Peyote cactus grows. Eating the fleshy gourd is at the heart of the tribe’s spiritual knowledge and core to their existence, connecting them to their ancestors and guardian spirits through psychedelic visions.
The earth where the cacti cultivate has evaded drought – which is widespread in surrounding regions – but is now falling foul to the North American Free Trade Agreement (NAFTA). N.A.F.T.A. grants mining concessions to Canadian multinationals out to quarry natural riches in the Huicholes’ holy land. Read more.
Huichol Shaman photo by Kila: https://commons.wikimedia.org/wiki/File:Huichol_shaman.jpg
Sunday, August 21, 2016
The Power of Harmonic Reiki Drumming
Indigenous cultures have come together in community percussion circles for thousands of years. Although most of us did not grow up in an indigenous rhythmic musical tradition, we can still tap into the healing power of the circle. By creating a circle, the participants are structuring a pattern that will contain, focus, and amplify the energy and intention of the gathering. In a Reiki drumming circle, a group of Reiki practitioners gather together to create a rhythmic container that channels the outpouring of energy toward the circle's intended outcome. The objective is for everyone to play in unison, which facilitates entrainment, synchronizing each participant's heart and metabolic rhythm with the drum beat. The energy created when the group finds harmonic unison is greater than the individual components. There is power in drumming alone, but that power recombines and multiplies on many simultaneous levels in a group of drummers. The drums draw individual energies together, unifying them into a consolidated force that can be channeled toward the circle's intended goal. Read more.
Sunday, August 14, 2016
Music and its Role in Ritual
Shamanism and music combined thousands of years ago. By
observing nature, shamans perceived that the power of sound could be used to
help and heal others. The first drums and musical instruments were put to
shamanic use, as were many of the early singing traditions. According to
folklorist Kira Van Deusen, "In a shaman's world music operates in several
ways. It helps the shaman and other participants in a ceremony to locate and
enter the inner world, opening the inner, spiritual ear and eye. Musical sound
calls helping spirits and transports the shaman on the journey. Both the rhythm
and the timbre of musical sound help heal the patient through the effects of
specific frequencies and musical styles on the human body."
Music is an essential tool in shamanic ritual and healing
work. Music is the carrier of the specific intention or desired outcome of the
ritual. Music is used to contain the energetic or spiritual aspect of the
sacred space, which is defined physically by the assembled people who
participate. Dance and song propel the ritual process forward by providing a
vehicle for self-expression within the sacred space. Together the musicians
create the necessary container that channels the energy generated by the
performance in ways that the shaman can guide toward the ritual's intended
outcome.
Three elements are constantly interacting in communal
healing rites: the shaman who guides the flow and pattern of the ritual, the
musicians who contain the sacred space, and the gathered people who
participate. Interaction between all three elements is necessary to maintain
the energy, flow and intention of the ritual.
Music is also used to crack open the part of the self that
holds emotions in check. For example, in funeral rites among the Dagara people
of West Africa , drumming and singing are used to open
the mourners to grief. Grief is then channeled in such a way that it will
convey the newly deceased soul to the afterlife. Without the help of the
drummers, musicians and singers, the powerful emotional energy cannot be
unleashed. If not channeled properly, grief is useless to the dead and
dangerous to the living. According to Christina Pratt, author of An Encyclopedia of Shamanism, "This
musical container of the ritual space must be maintained continuously. The
musicians do not rest as long as the ritual continues, though the ritual may
last one to four full days."
Sunday, August 7, 2016
Bolivia's Law of Mother Earth
Imagine a lake having the same rights as a landowner. Or a
condor with the same rights as a child. Under Bolivia 's
historic Law of Mother Earth ("Ley de Derechos de La Madre Tierra"),
signed into law in 2010, all entities in nature have equal rights to humans. The
law holds the land as sacred and holds it as a living system with rights to be
protected from exploitation. Based on Andean spiritual principles, the law was
enacted in an effort to curb climate change and the exploitation of Bolivia 's
natural resources. It spells out seven specific rights that nature and all its
constituents have. Read nature's rights and find out more about this
groundbreaking, comprehensive plan to protect the environment.
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