In 2014, Mongolian filmmaker Lkhagvadulam Purev-Ochir went to see a shaman named Uranbold. Although going to shamans was not a new experience for her, meeting Uranbold shocked her, because a young man of twenty-one in jeans and T-shirt appeared from underneath the shamanic robes and headdress after the ritual.
According to Purev-Ochir, "a shaman must balance double lives. He must listen to and guide people who come with problems ranging from infidelity to bankruptcy. He must play the role of psychiatrist, financial adviser, doctor and many more. He must comfort the dying and those they leave behind. And that is just his life outside of school, friendship, and romance."
With Uranbold in mind, Purev-Ochir began to form the backstory for "Ze," her feature-length directorial debut. The film tells the story of the budding relationship between a teenage shaman and a young woman, set in the impoverished yurt district of the Mongolian capital, Ulaanbaatar. "Ze" is an exploration of the contradictions of modern-day Mongolia, a country where growing class divisions spurred on by what Purev-Ochir describes as "unfettered capitalism" are thrust against the traditions and beliefs of an older way of life. Caught between those contradictions is the emotionally charged relationship between 16-year-old Marla and the shaman, Ze, a bittersweet love made all the more complicated by the pressures of life on the rough-and-tumble fringes of Ulaanbaatar.
"Ze" is a portrait of the hard-scrabble realities of what it means to be a young, urban Mongolian today. Purev-Ochir wanted to tell a story about the bipolar experience of growing up in contemporary Mongolia, where Mongolians lead precarious existences due to ongoing economic instability and underdeveloped social infrastructure. Within this context, shamans play an important role in providing comfort and guidance. Yet they are people, too, living and breathing within the same restraints and freedoms as any other Mongolian.
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