Joy Harjo: "I Pray for My Enemies"

In her first new recording in a decade, Joy Harjo -- the first Native American named Poet Laureate of the United States -- digs deep into the indigenous red earth and the shared languages of music to sing, speak and play a stunningly original musical meditation that seeks healing for a troubled world -- I Pray for My Enemies, newly released in March 2021.
 

Collaborating with producer and engineer Barrett Martin on this unique new album, Harjo brings a fresh identity to the poetry and songs that have made her a renowned poet of the Muscogee Creek Nation and one of the most authentic and compelling voices of our times.
 

In a recent interview Harjo said, "The concept for I Pray for My Enemies began with an urgent need to deal with discord, opposition. It could have been on a tribal, national or a personal level. I no longer remember. The urgency had a heartbeat and in any gathering of two or more, perhaps the whole planet, our hearts lean to entrainment -- that is, to beat together."
 

Latin Grammy-winning producer, composer and founding father of the historic Seattle music scene, Barrett Martin brings a new dimension to Harjo's unique sound-world -- her words and music spoken, sung and explored in a vibrant mix of classic instrumental sounds. Harjo and Martin describe it as "funkified spoken word" inspiring "elegant jazz, urban soul, and inner city, reservation grit." Harjo sings and speaks her poetry, as well as playing saxophone and flute, on an album she describes as "very much of-the-moment."
 

Martin holds it all together with drums, upright bass, keyboards and production duties on I Pray for My Enemies. He assembled an all-star band to explore Harjo's work, featuring Peter Buck (R.E.M.) on electric guitar and feedback; Mike McCready (Pearl Jam) on electric guitar solos; Krist Novoselic (Nirvana) on acoustic guitar; and Rich Robinson (Black Crowes) on electric guitar solos. Additional players include renowned Iraqi oud master Rahim Alhaj; trumpeter Dave Carter and percussionist/backing vocalist Lisette Garcia. Harjo's stepdaughters sing harmony vocals, and her husband Owen Sapulpa plays surdo drum on the album. 

 

Harjo defines songs and poems as distinctly different expressions, and both are featured in the 16 tracks that make up I Pray for My Enemies. Her words and music, older and newer, get a fresh new identity here. The album opens, however, with a traditional Muscogee song "Allay Na Lee No." "Music travels," she says, adding, "It travels through history, ancestors and especially loves ports and waterways."
 

Some of Harjo's defining poems appear here -- "An American Sunrise," "Fear," "Running" and "Remember" -- refracting her own experience as a Native American woman of her culturally defining generation. "Calling the Spirit Back," from an early collection of Harjo's poems, and the new song "How Love Blows Through the Trees" -- written when COVID-19 reached her home in Tulsa, OK -- echo the suffering of a world experiencing a pandemic.
 

"Once the World Was Perfect" is based on a version of a Muscogee Creek creation story, which describes a time similar to now. She says, "We lost our way in the dark, forgot who we were, then had to find our way again."
 

Vignettes and "licks" of songs and poems also appear on I Pray for My Enemies, ranging from the epiphany of "We Emerged from Night in Clothes of Sunrise" to the playful "trickster" piece "Rabbit Invents the Saxophone." Both feature Harjo's soulful sax. "Stomp All Night" delivers all the primal energy the title suggests, inspired by Muscogee Creek social dances. Harjo's poetic music is just the medicine the world need at this time.

Singer, Songwriter Annie Humphrey

Annie Humphrey is an Ojibwe singer, songwriter and visual artist who was born and raised on the Leech Lake Reservation in Northern Minnesota. Her father was a singer and musician and her mother an artist and poet. They showed her that she carried their gifts in her hands too. She has been recording music for three decades. Humphrey's music career began out of pure necessity. With two young children to care for, she began performing at coffee houses and local events. Over the years her songwriting has focused on a specific theme with a message to "Be brave and have a good journey."
 

One of my favorite Humphrey songs is "Spirit Horses" from her first solo release, The Heron Smiled. Activist and poet John Trudell performs with Humphrey on this powerful, moving song. The Heron Smiled won her national recognition as Female Artist of the Year and Best Folk Recording at the 2000 Native American Music Awards. A true form of modern folk music, this album is simply one of the purest, honest and beautiful collections of music I have heard in many years. In 2004, her second recording, Edge of America was released. It's a little darker than her debut album but an inspiring five star release. The title track from this recording was later featured on acclaimed Native American filmmaker Chris Eyre's film Edge of America.
 

Her latest album, Eat What You Kill, was released in 2019. It features poetic lyrics that speak of accountability and gratitude. Her powerful voice pours out over her piano playing, sweeping listeners up in a whirlwind of emotions and feelings. On one of her songs Humphrey sings, "show your babies all I know, live by the stories my mother told." She uses her music and lyrics to pass down stories and a way of life. Another song, "Now She Dances," is about sexual assault. The song is also about climate change. The way women are treated, and the way the earth is treated, are the same. The last track, "Aadzookaan," speaks about the apocalyptic prophecies to the generation coming up. It says don't be fearful because these things are going to happen. The last verse of the song talks about how everything we need is on our land--the medicine, the resources, the food, everything we need. This is why we're going to be okay.
 

Today Humphrey is happily married and has four children and two grandsons. They inspire her spirit and her art. Her special interest is Turtle Heart, a group she founded that works with youth in her community to promote positive lifestyle choices. She continues to write music and perform. In a recent interview she spoke about her music career, saying, "I have more songs I will finish. I don't have a plan in the music field. I've never marketed aggressively. I just plan to keep writing and playing."

"Shaman's Drum"

Shaman's Drum

Oh! My many-colored drum
Ye who standeth in the forward corner!
Oh! My merry and painted drum,
Ye who standeth here!
Let thy shoulder and neck be strong.

Hark, oh hark my horse--ye female maral deer!
Hark, oh hark my horse--ye bear!
Hark, oh hark ye!

Oh, painted drum who standeth in the forward corner!
My mounts--male and female maral deer.
Be silent sonorous drum,
Skin-covered drum,
Fulfill my wishes.

Like flitting clouds, carry me
Through the lands of dusk
And below the leaden sky,
Sweep along like wind
Over the mountain peaks!

--Tuvans of Siberia (1)

1. Vilmos Dioszegi, "Tuva Shamanism: Intraethic Differences and Interethic Analogies,"Acta Etnographica, 11: 162-163, 1962.

Shaman's Journey Song

Journey Song

I go in my canoe
all over
in my vision.
Over trees
or in water
I'm floating.
All around
I float
among whirlpools.
All around
I float
among shadows.
I go in my canoe
all over
in my vision.
Over trees
or in water
I'm floating.
Whose canoe
is this
I stand in?
The one
I stand in
with a stranger.
I go in my canoe
all over
in my vision.
Over trees
or in water
I'm floating.

--Northwest Coast Tsimshian (1)

1. David Cloutier, Spirit, Spirit: Shaman Songs, Incantations (Providence: Copper Beech Press, 1973), pp. 67-68.

Things a Shaman Sees

Everything that is -- is alive
on a steep river bank
there's a voice that speaks
I've seen the master of that voice
he bowed to me
I spoke with him
he answers all my questions
Everything that is -- is alive
little gray bird
little blue breast
sings in a hollow bough
she calls her spirits dances
sings her shaman songs
woodpecker on a tree
that's his drum
he's got a drumming nose
and the tree shakes
cries out like a drum
when the axe bites its side
all these things answer my call
Everything that is -- is alive
the lantern walks around
the walls of this house have tongues
even this bowl has it own true home
the hides asleep in their bags
were up talking all night
antlers on the graves
rise and circle the mounds
while the dead themselves get up
and go visit the living ones

-- Chukchee of Siberia1

1. David Cloutier, Spirit, Spirit: Shaman Songs, Incantations  (Providence: Copper Beech Press, 1973), pp. 32-33.

I Am Drumming

I am drumming,
I am drumming,
I am drumming for my Love's ever nearing union.
They say get a life.
What is all this drumming?
I swear to that Love,
the day that I stop drumming,
is the day that I will stop living. 
– Rumi

Power Song

Buryat Shamanic Poles photo by Simon Matzinger

Power Song

Oh spirits awaken with light,

On wings of the Eagle take flight.

Soar between the Earth and Sky,

And in harmony unite with me.

From the Lower World you arise,

To bring me power and advise.

Ride the winds of the World’s Rim,

Then descend to me at the Center.

—Michael Drake

The Great Drum

The circle of the Earth

is the head of a great drum.
With the day,

it moves upward—booming.
With the night,

it moves downward—booming.
The day and the night are its song.

I am very small,

as I dance upon the drumhead.
I am like a particle of dust,

as I dance upon the drumhead.
Above me in the sky

is the shining ball of the drumstick.

I dance upward with the day.
I dance downward with the night.
Some day I shall dance afar

into space like a particle of dust.

Who is the Drummer who

beats upon the Earth-drum?
Who is the Drummer who

makes me to dance his song?

—Ojibwa

American Indian Poet John Trudell Walks On

John Trudell (February 15, 1946 – December 8, 2015), an American Indian poet, actor, spoken word artist and political activist passed away on December 8, 2015, at his home, surrounded by his family and friends. John Trudell was the spokesperson for the United Indians of All Tribes' takeover of Alcatraz beginning in 1969, broadcasting as Radio Free Alcatraz. During most of the 1970s, he served as the chairman of the American Indian Movement, based in Minneapolis, Minnesota. John Trudell led a life dedicated to indigenous human rights, land and language issues. He helped spark a spoken word movement that is a continuation of Native American oral traditions. His last big media success was the book, Lines from a Mined Mind: The Words of John Trudell, a collection of 25 years of poetry, lyrics and essays from Fulcrum Publishing, 2008. This collection is a tribute to the man, his legend and legacy.

"We must go beyond the arrogance of human rights. We must go beyond the ignorance of civil rights. We must step into the reality of natural rights because all the natural world has a right to existence. We are only a small part of it. There can be no trade-off. We are the people." -- From "We Are Power" speech by John Trudell (July 18, 1980)