Summer Solstice Rituals in Mongolia

On the summer solstice last week, Mongolia's Shamans gathered to practice traditions and rituals that are thousands of years old. In the post-communist era shamanism is undergoing a dramatic revival in Mongolia. Harshly suppressed during Mongolia's long Soviet rule, shamanism is suddenly widely sought to fill the spiritual void of a newly democratic society. From storefronts in Ulan Bator, the nation's capital, to homes in rural Mongolia, shamanism has become a growth industry. The key to its viability seems to be the flexibility inherent in shamanism, where knowledge gained through ritual engagement with spirits in the landscape, rather than a strict cosmological doctrine, is seen as the core of shamanism. Getty images has published a photo essay of the rituals.

Ritual Drumming

Ritual is a tool used by shamanic practitioners to engage the powers of the unseen world to effect specific changes in the physical world. A shamanic ritual often begins with heating the drumhead over a fire to bring it up to the desired pitch. The sound of the drum is very important. Practitioners may strike certain parts of the drum to summon particular helping spirits. It is the subtle variations in timbre and ever-changing overtones of the drum that allow the practitioner to communicate with the spiritual realm. The practitioner uses the drum to create a bridge to the spirit world, while simultaneously opening the awareness of all the participants to that bridge. A master drummer can draw powerful rhythms from the drum that can transport others into specific dimensions of the spirit world.

All elements of drum music such as timbre, rhythm, volume and tempo play an important role in shamanic ritual. By using different parts of the drumstick to play on different parts of the drum, different timbres can be produced for transmitting different meanings. Different rhythms transmit different meanings and enable the practitioner to contact different beings in different realms of the cosmos. Volume and tempo arouse feelings in the listener and communicate symbolic meanings directly as aural sense experience.

A practitioner may have a repertory of established rhythms or improvise a new rhythm, uniquely indicated for the situation. The drumming is not restricted to a regular tempo, but may pause, speed up or slow down with irregular accents. The practitioner may stop playing altogether, or suddenly hoist the drum skyward and bang it violently, throwing the disease into the heavens; returning it to the spirit world.

Engaging the Imaginal Realm

Coast Salish Spindle Whorl

Shamanism is based on the principle that the spiritual world may be contacted through the inner senses in ecstatic trance. Basically, shamanic journeying is a way of communicating with your inner or spirit self and retrieving information. Your inner self is in constant communication with all aspects of your environment, seen and unseen. You need only journey within to find answers to your questions. You should always journey with a purpose, question, or intention. After the journey, you must then interpret the meaning of your trance experience.

Imagination is our portal to the spirit world. Internal imagery enables us to perceive and connect with the inner realms. If a shaman wants to retrieve information or a lost guardian spirit, "imagining what to look for" is the first step in achieving any result. According to C. Michael Smith, author of Jung and Shamanism in Dialogue, "The shaman's journey employs the imagination, and the use of myth as inner map gives the shaman a way of imagining non-ordinary reality, so that he or she may move about intentionally in it." By consciously interacting with the inner imagery, the shaman is able to communicate with spirit guides and power animals.

Communication in non-ordinary reality is characteristically archetypal, nonverbal and nonlinear in nature. The images we see during a shamanic journey have a universal, archetypical quality. Imagery from these experiences is a combination of our imagination and information conveyed to us by the spirits. Our imagination gives the journey a "container;" which helps us to understand the messages we receive. It provides us with a way to understand and articulate the experience for ourselves and to others.  

Coast Salish Spindle Whorls

The spindle whorl is how Coast Salish women from the Pacific Northwest Coast engaged the imaginal realm. Salish women were unrivaled in their ability to produce beautiful textiles that had social and spiritual significance. Many Salish spindle whorls have sophisticated and powerful carved designs -- human, animal and geometric. The whorl was placed on a wooden spindle to add the weight needed to maintain the spinning motion, and to prevent the wool from falling off the rod as it was being spun. As the whorl turned, the designs would blur together into a swirling kaleidoscope, entrancing the spinner. This shamanic trance state was considered vital: it gave the spinner the ability to create sacred textiles imbued with spirit power.

In the spindle whorl pictured above, the human figure’s hands converge at the center hole, where the spindle shaft would pierce the whorl. It’s at this point, say Coast Salish shamans that spirit power enters and leaves the body. The small two-dimensional image inside an oval in the man’s body may represent a spirit helper who dwells within. To learn more read The Spindle Whorl: An Activity Book.