FNX - First Nations Experience

First Nations Experience (FNX) is the first and only national broadcast television network in the United States exclusively devoted to Native American and World Indigenous content. Through Native-produced and themed documentaries, dramatic series, nature, cooking, gardening, children's and arts programming, FNX strives to accurately illustrate the lives and cultures of Native people around the world.
 

Created as a shared vision between Founding Partners, the San Manuel Band of Mission Indians and the San Bernardino Community College District, FNX is owned by and originates from the studios of KVCR-PBS San Bernardino. FNX began terrestrial broadcast in the Los Angeles area on September 25, 2011 and went national on November 1, 2014 via the Public Television Interconnect System (PBS satellite AMC - 21 Channel SD08), making the non-profit channel available to PBS affiliates, community and tribal stations, and cable television service providers across the country. 

At the ceremonial unity launch of FNX in February 2011, Cherokee actor Wes Studi confessed he didn't see this coming. "Thank you for proving me wrong," Studi said, speaking at the KVCR/FNX studios in San Bernardino, California. "I once said that I didn't think in my lifetime I'd see a TV channel dedicated to Indian people like you and me, people who are rarely seen on screen in authentic ways. We're making history with this powerful new media tool. This is something I can tell my grandchildren about -- I'll tell them I was there when it launched."

San Manuel Tribal Chairman James Ramos said FNX is "fulfilling a dream our ancestors had ... using the resources we have built through gaming. It's important that people know what our ancestors had to go through so we could be here today. It's time for us to change negative perceptions about indigenous peoples in mainstream audiences. We need to stand together as one voice and make things better for our people."

Ramos added context from his own tribe's past. "There was a time in California's history when there was an effort to get rid of Indian people; we were shot and killed here in the San Bernardino Mountains," Ramos said. "Many people never heard that story, and today some people don't want to talk about that history. But it's important that we do so that we can learn from the past and move forward working together for a better future."

FNX is working diligently to obtain channel carriage in as many communities as possible across the United States. Currently, FNX is carried by 22 affiliate stations broadcasting into 25 states from Alaska to New York and has a potential viewing audience of more than 74.5 million households across the United States! Several additional stations have also begun streaming FNX digitally throughout their communities and states. More new stations are always coming on board, so stay tuned -- FNX may be available in your city very soon! If you'd like to get FNX carried in your community, please reach out to your local stations, cable and satellite service providers. I can't recommend FNX enough and best of all it is totally free!

Remembering Indigenous Rights Advocate James Abourezk

A few days ago, we lost a tireless champion of the rights of the Indigenous Peoples of North America. Retired South Dakota United States Senator James Abourezk, the architect of the Indian Child Welfare Act (ICWA), passed away at his home in Sioux Falls on Friday, Feb. 24 on his 92nd birthday. James George Abourezk was born in 1931 in Wood, South Dakota, the son of Lebanese immigrants. Growing up on the Rosebud Indian Reservation, he spoke only Arabic at home and did not learn English until he went to elementary school.
 

After high school graduation in 1948, Abourezk served in the US Navy during the Korean War. Following military service, he earned a degree in civil engineering from the South Dakota School of Mines in Rapid City in 1961, and worked as a civil engineer in California, before returning to South Dakota to work on the Minutemen missile silos. At the age of 32, he decided to pursue law, and earned a J.D. degree from University of South Dakota School of Law in Vermillion in 1966.
 

Abourezk began a legal practice in Rapid City, South Dakota, and joined the Democratic Party. He ran in 1968 for Attorney General of South Dakota but was defeated by Gordon Mydland. In 1972, Abourezk was elected to the U.S. Senate, where he served from 1973 to 1979, after which he chose not to seek a second term. He was the first chair of the Senate Committee on Indian Affairs. His legislative successes in the Senate included the 1975 Indian Self-Determination and Education Assistance Act, as well as the American Indian Religious Freedom Act of 1978. The American Indian Religious Freedom Act gives federal protection to the traditional religions of the American Indian, Eskimo, Aleut, and Native Hawaiians.
 

Abourezk's signature legislation was the Indian Child Welfare Act (ICWA, 1978), designed to protect Native American children and families from being torn apart. Native American children have been removed by state social agencies from their families and placed in foster care or adoption at a disproportionately high rate, and usually placed with non Native American families. This both deprived the children of their culture and threatened the very survival of the tribes. This legislation was intended to provide a federal standard that emphasized the needs of Native American children to be raised in their own cultures, and gave precedence to tribal courts for decisions about children domiciled on the reservation, as well as concurrent but presumptive jurisdiction with state courts for Native American children off the reservation.
 

In 1973, Senators Abourezk and George McGovern attempted to end the occupation of Wounded Knee by negotiating with American Indian Movement (AIM) leaders, who were in a standoff with federal law enforcement after demanding that the federal government honor its historical treaties with the Oglala Sioux nation. The Wounded Knee Occupation began on February 27, 1973 when about 200 Oglala Lakota and followers of AIM seized and occupied the town of Wounded Knee, South Dakota. The occupation lasted for a total of 71 days, during which time two Lakota men were shot to death by federal agents and several more were wounded. It was a key moment in the struggle for Native American rights.
 

The summer after the occupation of Wounded Knee, Abourezk introduced the American Indian Policy Review Commission Act, which created the eleven-member commission to study legislation with the goal of addressing key issues in Indian Country. He served as its chairman until its landmark report was published in 1977. He took the gavel as chairman of the Select Committee on Indian Affairs from its creation in 1977 to 1979, when he left the Senate.
 

In 1980, Abourezk founded the American-Arab Anti-Discrimination Committee, a grassroots civil rights organization. In 1989, he published his Advise and Dissent: Memoirs of South Dakota and the U.S. Senate. He was the co-author, along with Hyman Bookbinder, of Through Different Eyes: Two Leading Americans -- a Jew and an Arab -- Debate U. S. Policy in the Middle East (1987).
 

After his retirement from the Senate, Abourezk worked as a lawyer and writer in Sioux Falls, South Dakota. He continued to be active in supporting tribal sovereignty and culture. Since 2005, he chaired the Lakota People's Law Project Advisory Committee. The Lakota People's Law Project is committed to defending the rights of South Dakota's Native American families, exposing the epidemic of illegal seizures of Lakota children by the state of South Dakota, working towards the structural solution to end this injustice. Just last year, Sen. Abourezk assisted their legal team in filing an amicus brief supporting ICWA with the United States Supreme Court. Later this year, the High Court could overturn the senator's landmark piece of federal legislation -- and that poses an imminent threat to Native families and sovereignty.

Imaginary Shamans

The shaman in the accompanying image does not exist in real life. He was brought to life by architect and travel photographer Dimitar Karanikolov using artificial intelligence (AI) and Midjourney, a chat-powered text-to-image generator for his portrait series "Imaginary Shamans." All the portraits he created are generated based only on descriptions and words.
 

In a recent interview for Designbloom, a digital magazine for architecture and design, Karanikolov says, "In order to have a more controlled result, I was very specific and described a lot of the details I wished to see in the final image -- the age, the clothes, the ethnicity, to name a few. I have also specified the camera settings -- or the virtual lens I wish to use -- the light scenario, and the framing. The more words I put in, the better."
 

From the creases that line the shamans' faces to the traditional tattoos that ink their skin, the details in every image appear crystal clear, making viewers question whether they were generated by artificial intelligence or snapped by a professional photographer. Karanikolov thinks that artificial intelligence in photography is both fascinating and scary at the same time.
 

"I understand why a lot of people feared this technology," he says. "Still, I think it is an amazing tool that gives lots of people the opportunity to express themselves and visualize their ideas. Surely, it will have a major impact on the photographic industry in the future, and we'll soon have to specify when we post a photo whether it's real or AI, as there will be no difference in the quality."
 

Karanikolov might be an architect, but travel photography has been a passion of his for the last eight years. "I did numerous trips in order to explore and photograph authentic communities around the world such as Mongolia, Ethiopia, Bolivia, and Indonesia. I have always been fascinated by indigenous people and their culture, their rituals and aesthetics. These are our ancestors, our roots," he says.
 

"When AI softwares became wildly popular and open to access several months ago, I naturally tried generating spaces and architectural details, but creating human faces and characters brings much more emotion and connection, along with much more powerful visions. So, I have decided to do some AI travel photography," he tells Designbloom. Bringing his photographic zest with him on every trip has culminated in the creation of "Imaginary Shamans," underlining both the beauty artificial intelligence can generate and the underlying concern it might bring.