Greta Thunberg at Standing Rock

On October 9 Greta Thunberg spoke at the Indigenized Climate Forum in Fort Yates, North Dakota. As you likely know, Thunberg comes from Sweden, where, at 15, she began protesting a lack of climate action in Parliament. From there, she quickly rose to worldwide prominence, organizing school climate strikes, giving a TED Talk, and appearing on the cover of Time magazine. In September Thunberg received an invitation to speak at a UN Climate Action Summit in New York. Since then she has made it a point to travel throughout North America to spread her message.

Chief Arvol Looking Horse, Keeper of the Sacred White Buffalo Calf Pipe, opened the event with a prayer.

"The old ones tell us through our ceremonies and everyday life we walk with the spirits, and everything has a spirit, we do our ceremonies everyday year round and that's our way of life -- so our prayers and our sacred language is all about the environment," Looking Horse said.

"I am so honored and grateful to be here to visit you in your homelands, to visit Standing Rock, this symbolic place of resistance," Thunberg said. "There was one moment that changed everything. It was a slow process. I started to educate myself about the climate and ecological climate. I just started to understand the urgency. When I understood that, I became furious because I realized that countless people are already suffering and have been for a very long time. These people are being ignored. This is going to affect every one of us in the future, myself included. It is already affecting us in many different ways. I just thought the only right thing to do was to stand back against this and to take a stand and I never regretted doing it."

"It's been very educational I must say, because you get so much experience from meeting all of these different cultures. The basic problem is the same everywhere. It is greed, ignorance, and unawareness -- and basically, nothing is being done to protect our common future. Nothing is being done to save the planet. We as teenagers shouldn't be the ones taking the responsibility, it should be those who are in power... and also it is because you here at Standing Rock, you are on the front line. You are the true warriors. You are the ones standing up for everyone else's future and I have so much respect for you and I am so grateful that you have taken this fight. Just so you know, we look up to you a lot."

Five Native American Artists You Should Know

Just as music plays a vital role in Native American culture, art has a very special place as well. Native American art has developed over centuries, tracing back to cave paintings, stonework and earthenware. Art has been used as a form of expression in the Native American way of life for thousands of years. Most art was created as a symbol, such as a bird, animal or people. Many art objects are basically intended to perform a service -- for example, to act as a container or to provide a means of worship. The materials to make this artwork varied from clay, stone, feathers and fabric. Typically linked to a deep connection with spirituality and Mother Earth, Native American art comes in many different styles and forms to reflect the unique cultures of diverse tribes -- including beadwork, jewelry, weaving, basketry, pottery, carvings, drums, flutes, pipes, dolls and more. Here are five contemporary Native American artists you should know:

1. Wendy Red Star: Of Apsáalooke (Crow) affiliation, Portland-based artist Red Star (born 1981) works in a variety of media. Her art often includes clichéd representations of Native Americans, colonialism, the environment, and her own family. Her humorous approach and use of Native American images from traditional media draw the viewer into her work, while also confronting romanticized representations. She juxtaposes popular depictions of Native Americans with authentic cultural and gender identities. Her work has been described as "funny, brash, and surreal." Red Star produced artwork for the 2019 Art+Feminism Call to Action Art Commission (shown above). "Ashkaamne (matrilineal inheritance)" depicts in black and white the artist and her daughter, Beatrice Red Star Fletcher, reclining in matching striped shirts and blankets, with the words, "Apsáalooke feminist," repeated in the background. Apsáalooke inheritance is based on matrilineal descent, tracing affiliation along the mother-to-daughter line. This image represents a lineage, female empowerment, and the next generation.

2. Frank Buffalo Hyde: Born in Santa Fe, New Mexico in 1974, Hyde was raised on his mother's Onondaga reservation and studied at the Santa Fe Art Institute and Institute of American Indian Arts. He belongs to the Onondaga Nation, Beaver Clan, and Nez Perce tribe. Before becoming a visual artist, he played in a rock band and dabbled in writing. Hyde juxtaposes 21st century pop culture images with symbols and themes from his Native American heritage. His vibrant, satirical, graphic paintings seek to dismantle stereotypes of Native American culture and replicate what he refers to as "the collective unconsciousness of the 21st century."

3. Makita Wilbur: Wilbur (born 1984), a visual storyteller from the Swinomish and Tulalip peoples of coastal Washington, for the past five years has been traveling and photographing Indian Country in pursuit of one goal: To Change the Way We See Native America. Wilbur began her career in fashion and commercial work in Los Angeles after completing the prestigious Brooks Institute of Photography. Though in high demand professionally, Wilbur realized that she wanted a different path as a photographer: to create portrait art that deeply communicated people's lives and experiences.

4. Teri Greeves: Greeves (born 1970), who grew up on the Wind River Reservation in Wyoming, is known primarily for her use of traditional Kiowa beading, which she learned from her Kiowa grandmother. Greeves merges her cultural history with both traditional and contemporary clothing items as a commentary on being a Native woman in the modern world. She blends traditional geometric traditional Kiowa styles with figurative elements of the Shoshone, while also commenting on the derivation of American modernist abstraction from traditional Native American designs.

5. Harvey Pratt: Considered one of the leading forensic artists in the United States, Pratt (born 1941) has spent over 50 years in law enforcement, completing thousands of witness description drawings and hundreds of soft tissue reconstructions. Pratt is a Cheyenne and Arapaho tribal member and is recognized as an accomplished master Native American Indian artist. He is a self taught, multi-talented artist involved in many media; oil, acrylic, watercolor, metal, clay and wood. He has won numerous awards and was named the Red Earth 2005 Honored One. Just recently, the Smithsonian's National Museum of the American Indian announced that Pratt's Warriors' Circle of Honor was the winning design for the National Native American Veterans Memorial.

Indigenous Youth Excluded from UN Climate Summit

On September 21 the United Nations held its first-ever Youth Climate Summit, but Indigenous youth were excluded from the sessions. They were given their own event, which was poorly attended. Makasa Looking Horse was invited to open the youth summit with a blessing. The 25-year-old leader is Lakota and Mohawk from Six Nations of the Iroquois Confederacy. She is the daughter of Chief Arvol Looking Horse, the 19th generation keeper of the Sacred White Buffalo Calf Woman pipe.

"I did not come here to play, or this isn't for show," she said, holding the pipe ahead of her prayer.

Looking Horse told youth delegates that the White Buffalo Calf Woman "declared we treat all of creation with respect to honor our mother," adding "she warned my people of the time we are in today, and that she would return to help us as a white buffalo calf."

She said that prophesy has begun. "I will honor her today for asking, honor her today for her blessing to guide us, the seventh generation."

Beyond the blessing, the Indigenous youth felt excluded from the summit and left feeling dejected, they said.

"They need to provide space and get Indigenous people there in those spaces to truly make a difference, I think, because we already have the knowledge, we already know what we're doing. We know what we want," Looking Horse told APTN (Aboriginal Peoples Television Network) News.

"There was a disconnect," she said, adding the global youth and Indigenous youth were "both talking about the same thing, and we're in two different rooms. And I think that speaks volumes about how this topic is treated regarding Indigenous people."

Looking Horse said she valued the time she was given to open the youth summit with a blessing, but said knowledge like the teachings of the White Buffalo Calf Woman pipe will not be heard if Indigenous peoples aren't meaningfully included in plans for climate action.

"The message that the White Buffalo Calf Woman gave us was to always work in unity and keep praying together with our bundles, our pipes, because that's the only way that we will get through the tough times that are coming," she said.

Shaman Walking to Moscow to Expel Putin Arrested

According to Amnesty International, a Siberian shaman walking across Russia to Moscow and promising to use his shamanic powers to "purge" President Vladimir Putin in 2021, was abducted by a squad of masked law enforcement officials and held in an undisclosed location. When citizens disagree with their government, there are many ways to voice opposition -- whether it's through protests or voting in an election. Alexander Gabyshev, a shaman from Russia's republic of Sakha in Siberia, was taking a different approach. The shaman left Yakutsk, capital of the vast Sakha Republic, on March 6 this year. The 51-year old ethnic Yakut shaman calls his quest divinely ordained, and insists that Putin is a manifestation of dark forces which must be banished to save Russia from ruin. God had one condition: Gabyshev had to reach Moscow on foot, which would allow him to muster the strength needed for the final showdown.

Gabyshev began his odyssey in March, promising to walk more than 8,000 kilometers (4,970 miles) from his native Yakutia region to the Russian capital. To meet his goal of reaching Moscow by August 2021, Gabyshev walked 20 kilometers each day. With him, he towed an aluminum cart holding all his possessions, including a portable yurt, a stove, clothes and provisions. He stopped in towns and cities along the way, giving sermons and meeting with local opposition activists with the goal of inspiring a nationwide democratic movement. Chronicles of his journey, which take the form of short video addresses from roadside campsites and short exchanges with passing drivers and long-distance truckers, have won Gabyshev a huge following in Russia. As the shaman has gained more sympathizers, he has become something of an opposition politician.

But police in Buryatia said on Thursday they had arrested Gabyshev on a highway in Siberia in connection with an unspecified crime in Yakutia and that they would fly him there. Gabyshev had walked nearly 3,000 kilometers by Thursday. When asked about Gabyshev's arrest, the Kremlin said it was impossible to keep track of all the criminal cases in Russia.

Amnesty International condemned the arrest in eastern Siberia. "The shaman's actions may be eccentric, but the Russian authorities' response is grotesque. Alexander Gabyshev should be free to express his political views and exercise his religion just like anyone else," Amnesty's Russia Director Natalia Zviagina said in a statement.