Showing posts with label shamanic music. Show all posts
Showing posts with label shamanic music. Show all posts

Sunday, December 6, 2015

Music for the Shamanic Journey

Music for the Shamanic Journey. The Shamanic Journey is a powerful technique used by shamans and shamanic practitioners worldwide. Music -- often drumming -- is a favorite vehicle for the journey, helping to focus the mind and invite the spirit body into the non-ordinary reality. Shamanic music awakens your innate ability to commune with your inner self and retrieve information. Your inner self is in constant communication with all aspects of your environment, seen and unseen. You need only journey within to find answers to your questions. You should have a question or objective in mind from the start. Shamanic journeying may be undertaken for purposes of divination, for personal healing, to meet one's power animal or spirit guide, or for any number of other reasons. I have created a playlist of music to support your shamanic journey at: YouTube Music Playlist

Sunday, September 6, 2015

Burning Man Dreamtime

Burning Man is North America's quintessential experience of waking life having the characteristics of a dream. Once a year, tens of thousands of participants gather to create Black Rock City in Nevada's Black Rock Desert, dedicated to community, art, self-expression, and ReDreaming the "World-as-it-is" into the "World-as-it-can-be." They depart one week later, having created unbelievable artistic experiences that contribute to the collective dream, and having left no trace whatsoever. I invite you to view my new music video "Burning Man Dreamtime."

Sunday, August 2, 2015

Rain Blessing

May the blessing of the rain be on you--
the soft sweet rain.
May it fall upon your spirit
so that all the little flowers may spring up,
and shed their sweetness on the air.
May the blessing of the great rains be on you,
may they beat upon your spirit
and wash it fair and clean,
and leave there many a shining pool
where the blue of heaven shines,
and sometimes a star.

--Old Gaelic Rain Blessing

I invite you to view my new music video "Rain Blessing."



Sunday, June 21, 2015

"Solfeggio Shamanic Journey" Single Release

I am pleased to announce the release of my new single "Solfeggio Shamanic Journey." Solfeggio Shamanic Journey combines trance inducing drumming and synthesized Solfeggio tones with callback for shamanic journeying. Preview the entire 20 minute single on YouTube and try a shamanic journey. If you like it, you can download Solfeggio Shamanic Journey for $0.99 at Amazon and iTunes.

This recording was made using a frame drum and a composite of synthesized Solfeggio tones in a mathematical sequence to induce brainwave entrainment. Solfeggio frequencies make up the ancient 6 note (hexatonic) scale thought to have been used in sacred music, including the beautiful Gregorian Chants. The chants and their special tones were believed to impart spiritual blessings when sung in harmony. Each Solfeggio tone is comprised of a frequency required to balance your energy and keep your body, mind and spirit in perfect harmony.

Furthermore, within the composition, the tones exert the binaural beating phenomenon, adding to the overall effectiveness. Binaural beats recordings are designed to stimulate the production of brainwaves associated with shamanic states of consciousness by presenting the brain with two tones close in frequency, one to each ear. The two hemispheres of the brain detect the difference between them as a third frequency, and then entrain to this binaural beat rather than the audible tones. Click here to learn more about shamanic journeying.

Sunday, December 28, 2014

Finding Your Power Song

Power songs are oral prayers spoken from the heart, expressing your true self and personal power. All shamans have at least one power song to call their helping spirits. It announces the shaman to the spirits and proclaims, "this is me … please help me." The song is usually sung near the beginning of any ritual and is often accompanied by drumming. Singing brings the heartbeat and body into resonance with the song similar to entrainment with the pulse of the drum. As the shaman's song invokes the intended spirits, the shaman comes into resonance with these spirit energies as well.

I recommend that you find your own power song to invoke your spirit helpers. The lyrics are usually just a line or two repeated over and over. The words of your song will have great power if they come from the heart. As ethnographer and author Gregory Maskarinec puts it, "In the shamanic world, words transform substance. Any medicinal properties of raw substance are trivial compared with the power of speech ...."1

To acquire a power song, begin your day with morning prayers to your helping spirits. Ask your guides to help you discover your personal power song. Do not eat breakfast and fast throughout the day. Plan to spend the day alone in an outdoor location that is preferably quiet and private. A wilderness or wild area away from the city is preferred.

Do not plan an itinerary -- be spontaneous. Just stroll quietly through the natural setting with the awareness that communication with natural elements is possible and be open to such communication. Nature is communicating with you all the time. Be aware of your surroundings. Look for synchronicities. They involve an internal psychological event that corresponds to an external observable event. Some aspect of a journey, vision, or dream may manifest in your ordinary reality. An animal, bird, or insect may bring you a message or guidance. When any animal shows up in an unusual way, or repetitively in a short period of time, it's critical to pay attention to the message. 

As you wander, discover what animal or bird you feel like. Take on its feelings, embody its spirit, and enjoy its identity throughout the day. As this is your first attempt to acquire a power song, you may only find the melody. If so, subsequent excursions will unveil the words for your melody.

When invoking your spirit helpers, repeat the song as long as you feel it is needed. I often start dancing and rattling while I sing my power song and bring my whole body into the act of calling the spirits. The more feeling or emotional energy you put into it, the stronger the invocation.

References
1. Gregory G. Maskarinec, Rulings Of The Night: An Ethnography Of Nepalese Shaman Oral Texts, (University of Wisconsin Press, 1995), p 187.

Sunday, November 23, 2014

"Shaman's Drums" Album Release

I am pleased to announce the release of my new album "Shaman's Drums." Shaman's Drums combines trance-inducing drums, native flutes and droning didgeridoos in a rousing celebration of shamanic music. The music on this album is based on a simple trio of shamanic instruments: the drum, the flute and the didgeridoo. Each instrument opens a path of communication between the spiritual and earthly realms. Each instrument helps induce trance states, opening the inner, spiritual ear and eye. Each is related to the soul, which extends far beyond the physical body, connecting us to the symphony of the universe.

The sound of the shaman's drum is very important, for it is a voice with great power and it is a voice that is a gift to us from a greater being. Its steady beat is akin to the primal pulse, the heart, throbbing within all that exists. The shaman uses the drum to create a bridge to the spirit world and summon the healing power of spirit.

Aboriginal tradition equates the low-pitched, rhythmic resonance of the didgeridoo with the voice of the Earth itself. According to an Aboriginal Dreamtime legend, the god of creation Baiame created man and woman, giving them the didgeridoo to sound all other life into form. Didgeridoos produce a range of infrasonics; extremely low frequency sound waves that stimulate a wide array of euphoric trance-like states.

The flute is akin to birds, flight and the breath, which is spirit. Its chirp, warble, and bird-like notes make your heart soar. Its sound represents the voice of the birds, the voice of the wind and the voice of the soul -- those things that are free to move and fly. So taken all together this trio; the flute, drum, and didgeridoo, represents the whole voice of Creation. Preview the entire album on my website.

Sunday, April 20, 2014

The Shaman's Rattle

The shaman's rattle is used to invoke the assistance of power animals and helping spirits. It is also possible to direct energy with rattles, much like a magician with a magic wand. Healing energy can be mentally transmitted through the rattle and out into the environment or into a patient's body. Prayer and intention can be broadcast to the spirit world. Moreover, you can create sacred space by describing a circle with the rattle while shaking it.

Among Iroquois medicine societies of present-day central and upstate New York, the gourd rattle is described as the sound of Creation. The creation stories tell of the first sound, a shimmering sound, which went out in all directions; this was the sound of "the Creator's thoughts." The seeds of the gourd rattle embody the voice of the Creator, since they are the source of newly created life. The seeds within the rattle scatter the illusions of the conscious mind, planting seeds of pure and clear mind.

In South America, the shaman's rattle is a most sacred instrument. The rattle is believed to embody the sacred forces of the cosmos through its sounds, structural features, contents, and connection to shamanic trance. The various parts of the rattle also symbolize the structures of the world. The handle is the vertical axis that ascends into the Celestial Realm. The Upper World is represented by the rattle's great head-gourd, which contains spirits. Joining the head of the rattle to the handle symbolizes the joining of masculine and feminine elements in the universe, an act of fertilization that bestows the sound of the instruments creative shamanic power. From a shamanic perspective, caretaking the rattle and playing it properly during ritual fulfills the destiny of the human spirit -- to sustain the order of existence.

Rattles and drums work well together. The repetitive sound of the rattle, like that of the drum, helps induce trance states. The shaking of rattles creates high-pitched frequencies that complement the low frequencies of drumbeats. The high tones of rattles resonate in the upper parts of the body and head. The low tones of drums act primarily on the abdomen, chest, and organs of balance, while stimulating an impulse toward movement. Rattles stimulate higher frequency nerve pathways in the cerebral cortex than do drums. This higher frequency input supplements the low frequency drumbeats, thereby boosting the total sonic effect. Try a rattle and drum shamanic journey.

Saturday, June 15, 2013

Visions of Sound

The most comprehensive study ever undertaken of the musical instruments of Native people in Northeastern North AmericaVisions of Sound focuses on interpretations by elders and consultants from Iroquois, Wabanati, Innuat, and Anishnabek communities. The authors have listened carefully to what they have said and have had the respect and sensitivity to never lose sight of Native instruments as bi-directional conduits linking all spheres within a spiritually-centered world; a world from which instruments emerge and return conceptually, functionally and physically. What makes the book so very powerful is the sense that its authors have moved beyond documentation of this discovery to link scholarly engagement itself with such a world. Visions of Sound is an important book for all ethnomusicologists and students of Native American culture as well as general readers interested in Native mythology and spirituality.

Saturday, June 8, 2013

Red Deer Shaman

For time immemorial, shamans have summoned the spirit of Red Deer to support the shamanic flight of the soul. Red Deer Stag represents the harnessed steed of the shaman in the spirit world -- the drum used to induce ecstatic trance. We can call upon Red Deer to support our shamanic journeys. I invite you to journey into the transcendent realm of Red Deer Shaman:

Monday, January 28, 2013

Owl Vision - Ayahuasca Journey

"Owl Vision" is my new video release featuring a track from my Power Animal Drumming CD. The visionary animation was created by Brazilian recording artist Psysun. Ayahuasca is a psychoactive plant brew known throughout the Amazon for its powerful healing and visionary properties. Ayahuasca has been used for millennia by South American shamans to divine the future, journey to the spirit world, and induce healing. The great Owl (Urcututo) guards the shamans while they are curing. Owl medicine includes prophecy, wisdom, stealth, silence, intuition, clairvoyance, clairaudience, shapeshifting, and keen vision that can pierce all illusion. Call upon Owl to unmask and see what is truly beneath the surface -- what is hidden or in the shadows. Owl is a messenger of omens who will call out to let all share in its vision.

Friday, November 23, 2012

Shamanic Journey Drumming

Shamanic Journey Drumming is now available on iTunes. This album has been digitally recorded to support the listener in making shamanic journeys. The harmonic overtones and undertones on this recording were produced by a 22-inch single-headed, elk hide, cedar frame drum pulsed at four-beats-per-second. This tempo induces a theta wave cycle in the brain. Theta rhythms are associated with the deepest states of shamanic consciousness. Researchers have found that if a tempo of four-beats-per-second is sustained for at least 15 minutes, most people can journey successfully even on their first attempt. Listen to all my music on SoundCloud. To learn more read Shamanic Journeying.

Wednesday, November 7, 2012

New Release: "Song for the Whales"

Listen to the soundtrack to my new video "Song for the Whales." "Song for the Whales" is a musical tribute to the whales. Listen to all of my albums on Spotify.

Monday, November 5, 2012

The Shamanic Drum Instructional

The Shamanic Drum Instructional is now available on iTunes and Amazon. On this companion recording to my book The Shamanic Drum, I instruct the listener in playing ten ceremonial drum rhythms, including those for invoking the seven directions. A 30 minute shamanic drumming is also performed, which listeners can use for shamanic journeying. This recording can be used independently or as an integral companion to my book. Listen to all of my albums on SoundCloud.

Monday, September 3, 2012

Free Shamanic Music Download

This track is from the album Power Animal Drumming. Badger medicine includes courage, cunning, endurance, grounding, perseverance, root and herbal remedies, and the magic of storytelling. From her den below the ground, Badger connects us to the Earth mother, her stories, and the healing properties of medicinal roots. Badger helps us see below the surface of things and boldly express ourselves with the clarity of inner knowing. Flutes, like the one heard on "Badger Medicine," are instruments connecting the seen and unseen worlds. Click here to download Badger Medicine. Listen to all of my albums on SoundCloud.

Sunday, September 18, 2011

Power Animal Drumming

© 2011 by Michael Drake

A shaman or shamaness, by definition (vide Prof. Hutton, Shamans, Hambledon & London, London 2001), is "someone who works with spirits to help others." Shamanism is the intentional effort to acquire and nurture ongoing relationships with personal helping spirits to gain wisdom, healing techniques, and other vital information that can benefit the community.

What I mean by the term spirits is all the material and immaterial forms of life energy that are all around us. We are woven together into a net of life energies that are all around us. These energies can appear to us in different forms, such as spirits of nature, animals, or ancestors. The spirit world is the web of life itself.

Whether you realize it or not, you have always had helper spirits. Helping spirits are like family and friends, and each has a unique personality. The majority of helping spirits take an animal form, most commonly a mammal or bird. Not everyone experiences helping spirits as animals. In cultures where there are no indigenous animals or even birds or insects, the messengers of spirit are experienced through representations of the elements: air, water, fire, earth, sun, moon, planets, stars, and so on.

A power animal is the archetypal spirit that represents the entire species of that animal. It is actually the spirit of one of the First People, as they are called, who at the end of mythic times turned into the animals as we know them today. Raven, for example, is embodied in each individual member of the raven species, but Raven himself still lives in mythic times. In practice this means that while many shamans may work with Raven spirits, there are not many different raven spirits that work with different shamans. Power animals are valuable allies who can help you navigate through life's challenges and transitions. Many animals will come to guide you, some briefly and others throughout your life.

In the worldview of the shaman, power animals or animal archetypes such as Eagle, Coyote, and Bear represent and protect their entire species. When you connect with a power animal, you align yourself with the collective strength and wisdom of the entire species. One of the most important gifts that animal allies offer is protection and guardianship to the shaman during arduous shamanic tasks. Without this alliance, it is widely accepted that it is impossible to become a shaman. Power animals are themselves great teachers and shamans. In many shamanic cultures, the knowledge imparted by a power animal is considered more important than the practical guidance of a master shaman.

Power animals offer humans a much needed medicine. They remind us of what is innocent and truthful. Animals subsist from the heart, with a deep instinctual knowing that is always connected to the web of life. They live from the heart and are not entrapped by their reason. Humans, on the other hand, tend to live from the head, trying to figure everything out. But the energy that comes in from the source is directed through our hearts. We come into our own power when we learn to live from the heart. The heart attunes us to the flow of a dynamic, interrelated universe, helping us feel connected rather than isolated and estranged.

There are many ways to bring power animal energy into your life. Try any of the following:

  1. Hang pictures of animals around your house or work area.
  2. Read books about animals.
  3. Learn about their connection in the web of life.
  4. Go for a walk in nature.
  5. Take time every day to meditate and tune into an animal.
  6. Simply call or invoke an animal. When you call upon the power of an animal, you are asking to be drawn into complete harmony with the strength of that creature’s essence.
Shapeshifting

One of the best ways to connect with power animals is through shapeshifting. Shapeshifting is more than just transforming into an animal as is often depicted in shamanic accounts and tales. It is the ability to shift your energies to adapt to the demands and changes of daily life. We all learn which activities, behaviors, and attitudes support or hinder our survival and growth. It is a natural and instinctual ability that we all share. The minimal development of this talent is the ability to mimic. We often mimic for the purpose of learning something or to blend in with our social or physical environment. It implies changing one’s pattern of appearance or behavior, rather than just using what you already have. Actors, for example, are known for their ability to take on the characteristics of another person or thing.

A shapeshifter is one who manipulates their aura or energy field to access a higher or inner power in order to grow and learn. All shapeshifting occurs on an energy level. If everything is broadcasting its own energy pattern and if you could match and rebroadcast the same pattern, then you would take on the appearance and qualities of the thing you were matching. The only constraining factor is the degree of belief, connection, and energy. Learning to shift your consciousness, to align with and adapt your energies to power animals, opens your heart and mind to the wisdom and strength of the animal world. You must empty yourself so that spirit may embody you. "Become like a hollow bone," a Lakota elder once advised me in the sweat lodge.

Power Animal Drumming

Drumming is an excellent way to induce embodiment trance states and facilitate shapeshifting. When an animal spirit is invoked, there is often an accompanying rhythm that comes through. Shamans frequently use these unique rhythms to summon their helping spirits for the work at hand. As Ted Andrews explains in his book Animal Speak, "Some are so skilled at drumming, they can duplicate the rhythms of various animals. There is snake drumming, wolf drumming, hawk drumming -- a drumming for every animal. As the rhythm is created it plays upon the metabolism of the individual causing entrainment -- the individual’s own heart and metabolic rhythm is brought into synchronization with the drum beat. This is used to facilitate a shapeshifting, an aligning with the archetypal forces represented by the animal." (Animal Speak© 1993 by Ted Andrews, page 224)

Through drumming, it is possible to co-create a resonant field with a power animal. I recently recorded the CD, Power Animal Drumming: Calling the Spirits to help the listener connect with power animals. The spirit calling rhythms on this CD evolved over many years through me and fellow shamanic circle drummers who gained and nurtured enduring personal relationships with helping animal spirits. Each pattern creates a vibratory resonance that allows these spirit helpers to be called forth. The drumbeat is the tuner sound. Each rhythm projects onto the body a supportive resonance or sound pattern to which the body can attune. As one resonates in sync with the rhythm of an animal, energy and awareness are exchanged.

The basic steps to connect with a power animal are as follows:

1. First, select a private and quiet space. Make whatever arrangements are necessary to assure that you will not be disturbed. Dim the lights and sit comfortably in a chair or on the floor.

2. Next, close your eyes and focus on the breath as it enters the nose and fills your lungs, then gently exhale any tension you might feel. Continue this breathing exercise until you feel calm and relaxed.

3. The next step is to frame a simple and clear statement of your intentions. Whether asking for help or merely getting acquainted with an animal, one must clearly convey the purpose of invoking them.

4. After clearly stating your intent, begin listening to the track on the CD corresponding to the animal you wish to invoke, or begin drumming the animal rhythm yourself. It may take a few moments for you to fully synchronize with the drum pattern.

5. As the drumming progresses, vividly imagine with every sense the animal you are invoking. When you can visualize it fully in front of you, imagine that your body is merging with that of the animal. Allow the change to come slowly. It is not uncommon to be and see the animal simultaneously. Be open to the sensations and feelings of being that animal. Feeling is the most important sensation because you want to imagine what it feels like to be that animal. It helps to mimic the posture, movements, and sounds of the animal. Animal sounds and calls often accompany the drum on the CD as an aid in merging. The degree of merging is limited by any negative attitudes such as anger, fear, and doubt. The goal is to merge to the greatest degree possible while still retaining a bit of self-awareness.  

6. Finally, separate from the animal by imagining yourself back into your physical body. Do not rush the transformation. Imagine the animal fully and completely outside of you once more. Thank the animal for its power, presence, and assistance. Then allow its image to dissipate. 

Be flexible with the steps outlined in this exercise. Adapt and experiment with them. Moreover, your animal guide may gift you with a unique drum beat to summon its presence and power. Remember to thank power animals and seek practical ways to give something of value back to the animal world. Listen to the album on Spotify.

Saturday, September 3, 2011

Shamanic Music: Sounds of the Soul

© 2011 by Michael Drake

Shamanic music is traditionally performed as part of a shamanic ritual, however it is not a musical performance in the normal sense. The shaman is focused on the healing intention or spiritual energy of what he or she is playing, to the point that musical considerations are minimal. Shamanic music is improvised by the shaman to modify movement and change while actively journeying into the spirit world. It is a musical expression of the soul, supporting the shamanic flight of the soul. Sacred music is directed more to the spirit world than to an audience. The shaman's attention is directed inwards towards communication with the spirits, rather than outwards to any listeners who might be present.  

A shaman uses various ways of making sounds to communicate with the spirits, as well as relate the tone and content of the inner trance experience in real time. Shamans may chant, clap their hands, imitate the sounds of birds and animals, or play various instruments. Of particular importance are the shaman's drum and song. Each shaman has his or her own song. It announces the shaman to the spirits and proclaims, "this is me…please help me." The song is usually sung near the beginning of the ritual and is often accompanied by drumming.  

The sound of the shaman’s drum is very important. A shamanic ritual often begins with heating the drum head over a fire to bring it up to the desired pitch. It is the subtle variations in timbre and ever-changing overtones of the drum that allow the shaman to communicate with the spiritual realm. The shaman uses the drum to open portals to the spirit world and summon helping spirits. As Tuvan musicologist Valentina Suzukei explains, "There is a bridge on these sound waves so you can go from one world to another. In the sound world, a tunnel opens through which we can pass -- or the shaman’s spirits come to us. When you stop playing the drum, the bridge disappears."1

When a spirit is invoked, there is often an accompanying rhythm that evolves. Shamans frequently use specific rhythms to "call" their spirit helpers for the work at hand. A shaman may have a repertoire of established rhythms or improvise a new rhythm, uniquely indicated for the situation. Shamans may strike certain parts of the drum to access particular helping spirits. The drumming is not restricted to a regular tempo, but may pause, speed up or slow down with irregular accents.

Shamans are also known for their ability to create unusual auditory phenomena. According to Scottish percussionist Ken Hyder, who has studied with Siberian shamans, "Shamans tend to move around a lot when they are playing, so a listener will hear a lot of changes in the sound…including a mini-Doppler effect. And if the shaman is singing at the same time, the voice will also change as its vibration plays on the drumhead."2 Furthermore, in a recent ethnographic study of Chukchi shamans, it was found that in a confined space, shamans are capable of directing the sound of their voice and drum to different parts of the room. The sounds appear to shift around the room, seemingly on their own. Shamans accomplish this through the use of standing waves, an acoustic phenomenon produced by the interference between sound waves as they reflect between walls. Sound waves either combine or cancel, causing certain resonant frequencies to either intensify or completely disappear. Sound becomes distorted and seems to expand and move about the room, as the shaman performs. Moreover, sound can appear to emanate from both outside and inside the body of the listener, a sensation which anthropologists claimed, "could be distinctly uncomfortable and unnerving."3  

The Shaman's Horse

The drum -- sometimes called the shaman's horse -- provides the shaman a relatively easy means of controlled transcendence. Researchers have found that if a drum beat frequency of around 180 beats per minute is sustained for at least fifteen minutes, it will induce significant trance states in most people, even on their first attempt. During shamanic flight, the sound of the drum serves as a guidance system, indicating where the shaman is at any moment or where they might need to go. "The drumbeat also serves as an anchor, or lifeline, that the shaman follows to return to his or her body and/or exit the trance state when the trance work is complete."4

Recent studies have demonstrated that shamanic drumming produces deeper self-awareness by inducing synchronous brain activity. The physical transmission of rhythmic energy to the brain synchronizes the two cerebral hemispheres, integrating conscious and unconscious awareness. The ability to access unconscious information through symbols and imagery facilitates psychological integration and a reintegration of self. Drumming also synchronizes the frontal and lower areas of the brain, integrating nonverbal information from lower brain structures into the frontal cortex, producing "feelings of insight, understanding, integration, certainty, conviction, and truth, which surpass ordinary understandings and tend to persist long after the experience, often providing foundational insights for religious and cultural traditions."5

It requires abstract thinking and the interconnection between symbols, concepts, and emotions to process unconscious information. The human adaptation to translate an inner trance experience into meaningful narrative is uniquely exploited by singing, vocalizing, and drumming. Shamanic music targets memory, perception, and the complex emotions associated with symbols and concepts: the principal functions humans rely on to formulate belief. Because of this exploit, the result of the synchronous brain activity in humans is the spontaneous generation of meaningful information which is imprinted into memory.

Shamanic experience can be expressed in many ways: through writing, art, and film, however it must be created after the fact. The one artistic medium which can be used to immediately express shamanic trance without disrupting the quality of the shamanic experience is music. The shaman's use of sound and rhythm is an audible reflection of their inner environment. This is the traditional method for integrating shamanic experience into both physical space and the cultural group. To learn more, look inside Shamanic Drumming: Calling the Spirits.

Discography

Shamanic and Narrative Songs from the Siberian Arctic, Sibérie 1, Musique du Monde, BUDA 92564-2
Kim Suk Chul / Kim Seok Chul Ensemble: Shamanistic Ceremonies of the Eastern Seaboard, JVC, VICG-5261 (1993)
Tuva, Among the Spirits, Smithsonian Folkways SFW 40452 (1999 )
Gendos Chamzyrzn, Kamlaniye, Long Arms (Russia) CDLA 04070 (2004)
Shamanic Journey Drumming, Michael Drake, (2008)
Power Animal Drumming, Michael Drake, (2010)

Notes

1. Kira Van Deusen, “Shamanism and Music in Tuva and Khakassia,” Shaman’s Drum, No. 47, Winter 1997, p. 24.
3. Aaron Watson, 2001, “The Sounds of Transformation: Acoustics, Monuments and Ritual in the British Neolithic,” In N. Price (ed.) The Archaeology of Shamanism. London: Routledge. 178-192.
4. Christina Pratt, An Encyclopedia of Shamanism (The Rosen Publishing Group, 2007), p. 151.
5. Michael Winkelman, Shamanism: The Neural Ecology of Consciousness and Healing. Westport, Conn: Bergin & Garvey; 2000.
 
Affiliate disclosure: I get commissions for purchases made through links in this post.

Sunday, June 26, 2011

Free Shamanic Songs Download

Sacred Songs & Chants by Michael Drake

A collection of 14 multicultural and original songs and chants sung by Michael Drake. Singing and drumming are extremely powerful tools for restoring the vibrational integrity of body, mind, and spirit. When coupled together, they move us to a level of awareness beyond form, a place where we discover our own divinity. Each song and chant on this recording has a specific purpose for invoking or paying homage to spirit beings and deities. Each one creates a vibratory resonance that allows these forces to be called forth. Tracks: Introduction, Eagle Chant, Hummingbird Chant, Coyote Chant, Bear Chant, Buffalo Chant, Horse Chant, Earth Chant, Rainbow Fire Chant, Raven Song, Forest Song, Cherokee Morning Song, Wolf Chant, Song to the West, Sedna Song. Download Sacred Songs & Chants at Archive.org. See more of our Free Downloads

Saturday, May 28, 2011

"Altered States During Shamanic Drumming"

Shamanic Drumming Study 
 
A  Phenomenological Study
by Anette Kjellgren & Anders Eriksson, University of Karlstad

"This study investigated the experiences gained from a 20-minute shamanic-like drumming session. Twenty-two persons participated and made written descriptions afterwards about their experiences. A phenomenological analysis was applied which generated 31 categories that were organized into six themes: 1) The undertaking of the drumming journey, 2) Perceptual phenomena: visual, auditory and somatic, 3) Encounters, 4) Active vs. Passive role, 5) Inner wisdom and guidance, and 6) Reflections on the drumming journey. A multitude of detailed experiences were described such as visual imagery, hearing sounds, encountering animals, as well as gaining insights. Participants generally appreciated the drumming session and few negative effects were noted. The conclusion made is that shamanic-like drumming can be a valuable supplement to other psychotherapeutic techniques." To learn more read the Shamanic Drumming Study and listen to Shamanic Journey Drumming.

Tuesday, May 24, 2011

Why is Music an Essential Part of Life?

The critically acclaimed documentary, "Intangible Asset No. 82" reveals this without implicitly telling us the answer. We discover it through a viewer's participation in Australian jazz drummer Simon Barker's quest to find an elusive Korean shamanic drummer. After hearing a recording, Barker made a commitment to find and learn from the master drummer. Yet despite his official designation as one of South Korea's cultural treasures or "82nd intangible asset," Kim Seok-Chul remained elusive. Barker's seven year journey becomes a rite of passage, as he has meaningful encounters with the engaging and eclectic characters who will eventually lead him to the enigmatic shaman only days before the master's death. To view the trailer visit "Intangible Asset No. 82."

Friday, March 18, 2011

Vernal Equinox: Return of the Thunder

Throughout human history, people in the northern parts of the world have celebrated the Rites of Spring, marking the end of earth's winter sleep and the start of spring when everything is reborn. Spring arrives when the earth is tilted so that the sun is directly over the equator. In the Northern Hemisphere, the first day of spring is on or about March 21. This is the day of the Vernal Equinox. Vernal means spring; Equinox means equal night. Night and day are the same length, each lasting exactly twelve hours on this day. It is at this time when light and darkness are in balance. The forces of feminine and masculine energy, yin and yang, are also in balance at this time. The 2011 Vernal Equinox will occur on Sunday, March 20 at 4:21 pm Pacific time (23:21 GMT).

Ancient cultures connected spring with the return of life to the earth. The return of spring in ancient times was of more consequence than it is to us today because winter food and fuel storages ended, inclement weather waned, and crops could be planted. Pagan customs such as lighting fires at sunrise for renewed life and protection of the crops still survive in South America as well as in Europe

In China, the Vernal Equinox has always been celebrated as the time of new beginnings, of action, of planting seeds for future grains, and of tending gardens. Spring is a time of the earth's renewal, a rousing of nature after the cold sleep of winter. The life energy, symbolized by Thunder, erupts from the depths in early spring to awaken the dormant seeds to new life. The yearly cycle begins in the spring (east) when Thunder quickens the renewal of life. Winter still has its grip on the land, but the days are lengthening and the light is growing stronger by the day.  

Thunder Medicine

Every spring the Thunder Beings arise in the Sky and adorn themselves in cloud, thunder, lightning, wind, and rain. They are the force behind all weather changes and sustain life on Earth. They travel in the clouds and lightning and speak through the thunder. Their medicine and gift is balance, change, and renewal. The Thunder Beings are a force for both dissolution and re-creation. They are nature's way of breaking down the archetypal patterns of an old cycle in preparation for a new cycle. Divergent polar forces pull apart obsolete patterns, allowing new patterns to form. "In all traditions it is Thunder Beings who govern nature and all life; they are the creators. They sustain balanced life, and destroy imbalance, the cause of suffering."1

The Thunder Beings bring the storms that nourish and renew the Earth Mother. Thunder Beings create a storm to overcome static tensions, clearing the way for the rainbow of peace and harmony. The greater the obstructions to harmony the more destructive the storm must be in order to clear away those obstructions. Storm represents that moment when the clouds gather, lightning strikes, and the rain bursts forth, a quintessentially creative moment. Storm quickens the emergence and manifestation of life.

The Thunder Beings proclaim the sacred union of Father Sky and Mother Earth through bolts of lightning. Like thunderbolts, we humans are a bridge that connects Earth and Sky. Like Mother Earth and Father Sky, we are both yin/female and yang/male in nature. Only when yin and yang are in balance within us, are we able to effectively channel usable energy. Achieving balance requires that we release our fears, plow old habits under, and cultivate new growth. By asking the Thunderers to assist us in achieving balance we learn how to tap into their energy and utilize it creatively. We learn how to revitalize ourselves and grow. Mongolian shamans believe that this balance, called tegsh, is the only thing that is truly worth pursuing in this world. When humans lose it, they create imbalance within the web of life. It then requires the unity of all colors, all cultures, working together to bring the web back into balance.

Within all traditions, we supplicate the Thunder Beings to bestow their enlightenment upon us as the lightning enlightens the earth. Whenever I supplicate the Thunder Beings for assistance, I make an offering of tobacco or cornmeal. I call upon them only when there is a real need. I approach them with humbleness and humility, becoming like a hollow bone through which their life force may flow to be used as needed, then returned to the Earth Mother.

In the Plains shamanic traditions, a person who is visited by a Thunder Being in a dream, a vision, or in person becomes a heyoka or "contrary." Customarily, this heyoka then begins to behave in ways that are contrary to the conventional norms of the dominant culture. The heyoka behaves in such a manner in order to awaken society to innovative and better ways of doing things. Thus, the heyoka becomes the human counterpart of the Thunder Beings, who continually break down the existing order and create a new arrangement from the pieces.

Thunder Drumming

Because there is such great turmoil in the world today, it would be beneficial if more of us established an intimate relationship with the Thunder Beings. We can relate to them in storms and nature, but primarily we must seek them within. The drum can help us immeasurably in this quest. The drum personifies the creative spirit and energy of the Thunder Beings. The drum, like the Thunder Beings, is a catalyst that unites masculine and feminine energies, generating life force or chi. It quickens us with the vital energy needed to confront the world's dissonant negative energies and transmute them into peaceful, balanced, and harmonious energies. The drum is a safe and powerful vehicle for traversing the inner world, which is a microcosm of the outer world. I recently recorded a CD to support the listener in making shamanic journeys to reconnect with the Thunder Beings: 

References 
1. Samudranath, Cities of Lightning, Lightning Bolt Press, 2000.