Ancient Rock Art May Depict Shamanic Music

More than 2,000 years ago, the Tukano people of the Colombian Amazon may have documented the soundtracks to their hallucinogenic experiences in petroglyphs on volcanic boulders. Consisting of what appears to be dancing human figures surrounded by zigzagging lines and other geometric forms, the enigmatic art eludes concrete interpretation, although a new analysis suggests that these abstract shapes may depict the songs that transported participants to other dimensions during Ayahuasca ceremonies. The pre-Columbian designs can be found at Toro Muerto, which contains one of the richest collections of rock art in South America. A desert gorge, the site is strewn with thousands of boulders, some 2,600 of which feature ancient carvings.

 

Describing the drawings in a new study published in the Cambridge Archaeological Journal, researchers explain that the artworks contain "an almost overwhelming repetition of images of dancing human figures (known as danzantes), unique in the region, and an extraordinary accumulation of geometric patterns, most often in the form of vertical zigzag, straight and sinuous lines varying in width, sometimes with accompanying dots or circles." Previous attempts to interpret these zigzags have suggested that they may represent snakes, lightning, or water, although the study authors believe they may have an alternative meaning.
 

Examples of "danzantes" at Toro Muerto. Image credit: Tracings: Polish-Peruvian research team, 

compiled by J.Z. Wołoszyn/Cambridge Archaeological Journal/2024 (CC BY 4.0)

 

To build their hypothesis, the researchers point out the striking similarities between the drawings at Toro Muerto and the traditional artwork of the Tukano culture in the Colombian Amazon. In the case of the latter, geometric designs have been linked to the visions induced by the hallucinogenic brew Ayahuasca, which has been ritually ingested by Indigenous Amazonian communities for millennia. According to the Tukano these drawings were 'yajé images', meaning that they showed patterns they had seen while in an altered state of consciousness induced by consuming entheogens. Concentric circles, dots, wavy lines, zigzags and crenellation motifs dominated among them.

Anthropological analyses of these rituals have repeatedly highlighted the importance of music, with songs known as icaros being sung by shamans as a means of communicating with the gods and journeying through the spiritual cosmos. Ritual in many human cultures involves music; it is a key social technology for building and sustaining community. Ritual music is a universal way to address the spirit world and provide some kind of fundamental change in an individual's consciousness or in the ambience of a gathering. Experiences of ego loss and trance are important for integrating the individual into the group and maintaining community, and music is a significant element of such ritual activity.

Intriguingly, studies into the significance of zigzags in Tukano artwork have revealed that "the Tukano saw in them the representations of songs which were an integral part of the ritual, having also agentive power, and constituting a medium for transfer to the mythical time of the beginning." In other words, within a Tukano context, these shapes depict the shamanic music that mesmerizes ritual participants under the effects of Ayahuasca, delivering them to an alternate reality in which they are able to reconnect to their ancestral mythology.

Admitting that their theory is somewhat speculative, the researchers nonetheless conclude that these pre-Hispanic drawings "illustrated a graphically elusive sphere of culture: singing and songs. The interpretation we propose is of course hypothetical, but the conclusions it leads to constitute a logically coherent counter-proposal to previous interpretations of some of the Toro Muerto petroglyphs. We suggest that zigzag lines could be representations of songs, which seems particularly intriguing given the repeated juxtaposition of these patterns with the figures of dancers at Toro Muerto."

What Psychedelic Therapy Can Learn From Shamanism

Psychedelic psychotherapy is the process of taking a psychedelic substance within a therapeutic setting, which typically includes psychotherapy. In clinical studies, psilocybin (magic mushrooms) and MDMA are two compounds that are being investigated for their therapeutic use in treating certain mental health conditions, like depression and PTSD, and improve overall mental health. Most of the psychedelic therapy taking place is within clinical research studies in the underground and in places where psychedelics are legal.
 

Psychedelic therapy is widely discussed as an innovative development within psychiatry, yet the ironic truth is that mind-altering substances have been used to promote mental health for thousands of years. And while the ceremonial ingestion of plants like ayahuasca in South America, peyote in North America, and iboga in Africa may seem a far cry from Western psychotherapy, researchers are increasingly looking to indigenous cultures in order to learn how to utilize these potent medicines.
 

Anthropologists who study the ceremonial use of psychedelic plants often write about the skilled manner in which shamans guide their patients into "managed altered states of consciousness." Through the manipulation of sounds, symbols, and other aesthetic elements in a ritual context, these traditional healers are able to steer participants' visions and hallucinations in certain desirable directions. Overall, the ritual context provides a controlled, supportive, and safe environment for participants to engage in reflective emotional work that is often difficult.
 

A recent study of Westerners attending a mental health retreat run by indigenous ayahuasca healers found that 36 percent rated the actions of these shamans as the single most important factor in the improvement of their well-being. The non-indigenous users attributed the benefits of ayahuasca to their immersion in the traditional aspects of the ayahuasca experience, which were often intense or difficult to endure, echoing the ascetic experiences of the traditional users. Research indicates that the beneficial elements of ayahuasca are enhanced when the cultural and spiritual aspects of its use are emphasized. And while shamanic rituals may not be fully appreciated by conventional psychiatrists, it is widely agreed that psychedelic experiences are the product of more than just mere pharmacology.
 

Set and Setting
 

Back in the 1960s, famed psychologist and LSD evangelist Timothy Leary helped to popularize the notion of "set and setting", which holds that the effects of psychedelics are largely determined by the mindset of the user as well as the environment in which they are taken, rather than the properties of the substances themselves. "Set" refers to the expectations and intentions the person brings to the experience, and "setting" is the outward circumstances in which it takes place. Additionally, the expectations and experiences of participants in a traditional ceremonial setting are often influenced by the shamans' shaping of those aspects.
 

For this reason, set and setting has been incorporated into recent psychedelic trials. Typically, this is achieved by manipulating the therapeutic environment with low lighting and carefully selected music playlists. This last element is considered to be of particular importance, as research has revealed that music amplifies the capacity of psychedelics to enhance activity within the parts of the brain that process emotion.
 

A Clash of Worldviews
 

Indigenous people view creation as a living process, resulting in a living universe in which a kinship exists between all things. There is no such thing as an individual in the same way that we take for granted in the west. There is no separateness. We are all one consciousness. It's a different way of looking at things. For those of us who have been raised as staunch materialists, such a concept can be difficult to understand, let alone accept. We are conditioned to see the world as populated by distinct, independent entities that can be methodically isolated from one another, whereas indigenous cultures view the universe as one unified conscious system, in which everything is connected to everything else.
 

In line with this perspective, mental health problems are understood not as the product of faulty brain chemistry or personal psychological quirks, but as a symptom of misalignment with the encompassing whole. Healing, therefore, is typically a collective affair and is achieved by restoring the patient's sense of connectedness to their community and wider environment.
 

While most research into the efficacy of psychedelics to treat mental health disorders continues to focus on individual treatments, a number of studies are beginning to recognize the importance of contextual factors like the shared togetherness of indigenous group rituals. A global study of people who have used psychedelics in group settings found that group bonding during ceremony was significantly correlated with increases in psychological well-being, social connectedness, and other salient mental health outcomes.
 

Conclusion
 

While researchers have demonstrated the benefits of psychedelics as a treatment for mental illness in Western users, the traditional context associated with the use of psychedelic plants is also an essential aspect of the experience. Like indigenous users who emphasize the ascetic aspects of the psychedelic experiences, the immersion in an intense, often challenging ceremony leads to benefits for Western users who understand the necessity of these difficult experiences in reaping benefits. Overall, the traditional ceremony accounts for important aspects of the psychedelic experience such as social and environmental connections. Adapting indigenous approaches to psychedelics may well be the key to psychedelic healing. 

New Ayahuasca Documentary: "The Medicine"

A recent documentary feature, "The Medicine," reveals the hidden mysteries of one of nature's most powerful and controversial healing remedies -- Ayahuasca. It is a documentary about Amazonian shamanism, introducing Taita ("shaman") Juanito Guerillmo Chindoy Chindoy, both a teacher and student of the sacred plant medicine. As Ayahuasca gains popularity in the West, the film explores the science as well as the lore behind the plant and why it is used to heal. Use of the Ayahuasca brew is both a tradition in Amazonian shamanism and a promising new focus of mental health research.
 

The film follows former NFL Safety, Kerry Rhodes (NY Jets, AZ Cardinals), and actress, AnnaLynne McCord (Power, 90210, Nip/Tuck), as they drink with the Taita experiencing Ayahuasca for the first time -- in its true tradition. Taita Juanito guides them through an authentic ceremonial practice, and they emerge with new insights about their health, their pasts, and their emotional wellbeing. "The Medicine" is narrated by actor Stuart Townsend.
 

"The Medicine" also features leading scholars and authors from around the world exploring the cultural and scientific significance of Ayahuasca, including Daniel Pinchbeck, Rachel Harris, Graham Hancock, Mauricio Diazgranados, Ph.D., and others. This ancient medicine may be a solution to modern problems of addiction, depression, trauma, and disease. The video is now streaming on digital and on-demand platforms including AppleTV, Amazon, Google Play and others. Watch the trailer.

Weaving Music into Art

The Shipibo are a tribe from the Amazonian rainforest in Peru credited with holding the traditions of the powerful entheogenic brew ayahuasca ("vine of souls"). This ancient tribe is known both for their beautiful geometric textiles and for their long history of using ayahuasca as an entheogen. This plant sacrament induces visual and auditory stimulation for the purpose of self-revelation and healing. In the Shipibo culture, shamans -- called curanderos -- work as plant-based healers of physical, mental, emotional and spiritual disorders. Their knowledge and healing power are said to come from the plants themselves.  

Shipibo shamans have a custom in which a they live for months in isolation and ingest different plants in order to connect with the spirits of the plants. According to Shipibo shamanism, each plant has a different personality, just like people. Once a plant is ingested, the shaman may be inspired to write a song. These songs, known as icaros, are then used in healing ceremonies, and eventually translated into geometric patterns in order to adorn tapestries with their messages. Each song and corresponding pattern embody the energy of a specific Amazonian plant. The colorful designs are a woven visualization of each plant's song, almost serving as a musical score.

Shipibo textiles reflect the tribe's culture and cosmology. Largely geometric in nature, the designs feature the square, the rhombus, the octagon and the cross, which represents the southern Cross constellation. Other symbols featured in the designs are the Cosmic Serpent, the Anaconda and various plant forms, notably the caapi vine used in the preparation of the ayahuasca brew. Shipibo patterns are believed to heal physical, mental, emotional and spiritual ailments, with each design carrying its own meaning. Some are said to bring wisdom or protection; others attract abundance. The textiles are worn as skirts, placed on tables or beds, hung on walls or used in ceremony.
 

There is an fascinating connection between the visual and aural in Shipibo art: the Shipibo can paint the pattern by listening to an icaro, or they can inversely hear the song by simply viewing the design. Shipibo shamans, under the influence of the psychedelic affects of ayahuasca, undergo a sort of biological feedback mechanism which affects the visual cortex, allowing the music to be seen, and then translated into artwork. Known as synesthesia, this is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to involuntary experiences in a second sensory or cognitive pathway, in this case seeing by hearing, or hearing by seeing.
 

After discovering cymatics, the scientific study of geometric patterns created by sound vibrations, Irish artist Tanya Harris traveled to Peru in 2014 to explore the "visual music" of Shipibo art. Harris discovered cymatics while studying for an MA in Textile Futures at Central Saint Martins in London. Harris spent a month with the Shipibo and participated in ayahuasca ceremonies. During one of her last ceremonies, she received insight from ayahuasca that she should ask a shaman if she could record her singing a particular song and also get from her the geometric tapestry translation of the song. 

 

So, using a handy video recorder, Harris carefully recorded the shaman's icaro about a plant called marosa. Harris found striking visual similarities between the shapes created by her cymatic patterns and the designs created by the Shipibo as illustrations of their songs. For Harris, it was simply confirmation that "sound is a primordial, creative force." Her experiences with the Shipibo are described in this short video, Consciousness Resides in Geometry.

Shamanism and Entheogens

While the use of mind-altering drugs is prohibited in many religions, other traditions around the world have long celebrated their spiritual and medicinal benefits. Entheogens used in a religious or spiritual context, include psychedelics such as peyote, psilocybin mushrooms, and ayahuasca, and the substances often supplement practices geared toward achieving transcendence. Further, many believe entheogens foster communication with the spirit world and help heal addiction, trauma, and depression. A growing interest in entheogens is evident in several books coming from religion and spirituality publishers in the coming year. Shamanic teachers Hank Wesselman and José Luis Stevens are among the authors coming out with new books. Check out a few titles that explore the intersection of drugs and spiritual development here.

"The Gift of Shamanism"

Itzhak Beery is an internationally recognized shamanic healer, teacher, and founder of ShamanPortal.org. In his newly released book, The Gift of Shamanism: Visionary Power, Ayahuasca Dreams, and Journeys to Other Realms, Beery recounts his journey from a skeptical New York advertising executive to a gifted shamanic practitioner and teacher. Through engaging stories from his own shamanic experiences, Beery connects emotionally with the reader and guides them indirectly into the shamanic ways of "seeing" (our sixth sense or intuition), which he believes is an important part of our ability to survive.

As Beery explains it, "I'm now convinced that we human beings are truly living in multidimensional realities and that as humans we have the ability to perceive knowledge, images, and information otherwise hidden from our ordinary senses by shifting from the earthly plane into a shamanic state of higher vibrational consciousness. I believe that this is the key to humans' survival for hundreds of thousands of years."

Distilling years of experience as a shamanic practitioner, Beery details his shamanic way of seeing to diagnose spiritual, emotional, and physical ailments. According to Beery, seeing is not linear or logical. It communicates to us in symbols, through poetry and idioms, and in body language, colors, shapes, smells, and bodily sensations. Deep within each and every one of us lie dormant visionary powers waiting to be realized and freed from the confines of our fears, habits, and cultural taboos. Being in touch with our seeing can help us also chart new paths not only for our own life, but for society as a whole. Seeing helps us sustain and preserve the soul of humanity, shapeshifting us, from fear-based attitudes to a life-affirming sense of hope.

Through his riveting stories of visions that manifested in reality, Beery reveals that we all have dormant visionary powers waiting to be realized. This capacity to bring knowledge and healing from alternative realities and parallel dimensions is "the gift of shamanism." It is a gift that all we humans share and oddly enough it is what makes us good survivors on this planet. By embracing this gift, we can actualize our shamanic potential to change ourselves and the world around us. All you have to do is open a portal, trust your intuition, and trust the spirits to guide you. I highly recommend that you read this insightful book and apply its teachings to your life. Beery's forthcoming book, Shamanic Transformations, featuring stories (including my own story) by notable contemporary shamanic practitioners, will be released in September 2015.

Owl Vision - Ayahuasca Journey

"Owl Vision" is my new video release featuring a track from my Power Animal Drumming CD. The visionary animation was created by Brazilian recording artist Psysun. Ayahuasca is a psychoactive plant brew known throughout the Amazon for its powerful healing and visionary properties. Ayahuasca has been used for millennia by South American shamans to divine the future, journey to the spirit world, and induce healing. The great Owl (Urcututo) guards the shamans while they are curing. Owl medicine includes prophecy, wisdom, stealth, silence, intuition, clairvoyance, clairaudience, shapeshifting, and keen vision that can pierce all illusion. Call upon Owl to unmask and see what is truly beneath the surface -- what is hidden or in the shadows. Owl is a messenger of omens who will call out to let all share in its vision.

Seeing With the Eyes Shut: Ayahuasca Visions

The hallucinogenic brew Ayahuasca has been used for centuries by South American rain forest shamans as a religious sacrament. The "spirit vine" facilitates mystical visions and revelations, and is believed to have healing properties. Though there have been very few studies of its effects on brain function, a Brazilian research team reports one of the very first functional neuroimaging studies of the drug's effects. Results indicate that Ayahuasca visions stem from the activation of an extensive network involving vision, memory, and intention. In the primary visual area, the effect is comparable in magnitude to the activation levels of natural images with the eyes open. By boosting the intensity of an inner image to the same level of a natural image, Ayahuasca imparts a valid sense of reality to inner experiences. Read More