Joy Harjo: "I Pray for My Enemies"

In her first new recording in a decade, Joy Harjo -- the first Native American named Poet Laureate of the United States -- digs deep into the indigenous red earth and the shared languages of music to sing, speak and play a stunningly original musical meditation that seeks healing for a troubled world -- I Pray for My Enemies, newly released in March 2021.
 

Collaborating with producer and engineer Barrett Martin on this unique new album, Harjo brings a fresh identity to the poetry and songs that have made her a renowned poet of the Muscogee Creek Nation and one of the most authentic and compelling voices of our times.
 

In a recent interview Harjo said, "The concept for I Pray for My Enemies began with an urgent need to deal with discord, opposition. It could have been on a tribal, national or a personal level. I no longer remember. The urgency had a heartbeat and in any gathering of two or more, perhaps the whole planet, our hearts lean to entrainment -- that is, to beat together."
 

Latin Grammy-winning producer, composer and founding father of the historic Seattle music scene, Barrett Martin brings a new dimension to Harjo's unique sound-world -- her words and music spoken, sung and explored in a vibrant mix of classic instrumental sounds. Harjo and Martin describe it as "funkified spoken word" inspiring "elegant jazz, urban soul, and inner city, reservation grit." Harjo sings and speaks her poetry, as well as playing saxophone and flute, on an album she describes as "very much of-the-moment."
 

Martin holds it all together with drums, upright bass, keyboards and production duties on I Pray for My Enemies. He assembled an all-star band to explore Harjo's work, featuring Peter Buck (R.E.M.) on electric guitar and feedback; Mike McCready (Pearl Jam) on electric guitar solos; Krist Novoselic (Nirvana) on acoustic guitar; and Rich Robinson (Black Crowes) on electric guitar solos. Additional players include renowned Iraqi oud master Rahim Alhaj; trumpeter Dave Carter and percussionist/backing vocalist Lisette Garcia. Harjo's stepdaughters sing harmony vocals, and her husband Owen Sapulpa plays surdo drum on the album. 

 

Harjo defines songs and poems as distinctly different expressions, and both are featured in the 16 tracks that make up I Pray for My Enemies. Her words and music, older and newer, get a fresh new identity here. The album opens, however, with a traditional Muscogee song "Allay Na Lee No." "Music travels," she says, adding, "It travels through history, ancestors and especially loves ports and waterways."
 

Some of Harjo's defining poems appear here -- "An American Sunrise," "Fear," "Running" and "Remember" -- refracting her own experience as a Native American woman of her culturally defining generation. "Calling the Spirit Back," from an early collection of Harjo's poems, and the new song "How Love Blows Through the Trees" -- written when COVID-19 reached her home in Tulsa, OK -- echo the suffering of a world experiencing a pandemic.
 

"Once the World Was Perfect" is based on a version of a Muscogee Creek creation story, which describes a time similar to now. She says, "We lost our way in the dark, forgot who we were, then had to find our way again."
 

Vignettes and "licks" of songs and poems also appear on I Pray for My Enemies, ranging from the epiphany of "We Emerged from Night in Clothes of Sunrise" to the playful "trickster" piece "Rabbit Invents the Saxophone." Both feature Harjo's soulful sax. "Stomp All Night" delivers all the primal energy the title suggests, inspired by Muscogee Creek social dances. Harjo's poetic music is just the medicine the world need at this time.

The Resonance Theory of Consciousness

The resonance theory of consciousness postulates that synchronized vibrations are central not only to human consciousness but to all of physical reality. Resonance is the ability of a vibrating object or sound source to transfer its energy to another object, making it vibrate in sympathy. The term resonance originated in the field of acoustics, particularly the sympathetic resonance observed in musical instruments, e.g., when one string starts to vibrate and produce sound after a different one is struck. All things in our universe are constantly in motion, vibrating. Even objects that appear to be stationary are in fact vibrating, oscillating, resonating, at various frequencies. Resonance is a type of motion, characterized by oscillation between two states. And ultimately all matter is just vibrations of various underlying fields. As such, at every scale, all of nature vibrates.

Something interesting happens when different vibrating things come together: They will often start, after a little while, to vibrate together at the same frequency. They "sync up," sometimes in ways that can seem mysterious. This is described as the phenomenon of spontaneous self-organization. For example, fireflies of certain species start flashing their bioluminescent fires in sync in large gatherings of fireflies. If two pendulums, swinging at different rates, are placed next to each other, they will gradually entrain until they are locked in perfect synchronization. They entrain because it requires less energy to pulse in unison than in opposition. Nature always seeks the most efficient energy state. 

This synchronization is a kind of physical communication between entities. Synchronized vibrations allow an exchange of energy and information. In the human brain, synchronization, in terms of shared electrical oscillation rates, allows for smooth communication between neurons and groups of neurons. Large-scale neuron firing can occur at specific frequencies, with human consciousness thought to be commonly associated with various kinds of neuronal synchrony. This shared resonance through specific neuronal electrochemical firing patterns creates an electromagnetic field that may itself be the seat of macro-conscious awareness. 

Consciousness through shared resonance takes panpsychism as its metaphysical starting point. This philosophical perspective suggests that all matter has at least some associated consciousness, albeit highly rudimentary in the large majority of instances. In other words, consciousness did not emerge at some point during evolution. Rather, it's always associated with matter and vice versa; they're two sides of the same coin. It is all about vibrations, but it's also about the type of vibrations and, most importantly, about shared vibrations. The more complex the synchronization is, the more complex the consciousness. So, for example, the billions of neurons that fire in the brain together to make a decision and form our experience of the world are extremely sophisticated, yielding a rich and dynamic sense of self or perception. To learn more, read "The Neuroscience of Drumming."