Sunday, May 13, 2018

Shamanic Wisdom for the Anthropocene Age

We are living in the Anthropocene age: the new epoch of geological time in which human activity is considered such a powerful influence on the environment, climate and ecology of the planet that it will leave its legacy for millennia. The Anthropocene is notable as being human-influenced, or anthropogenic, based on overwhelming global evidence that atmospheric, geologic, hydrologic, biospheric and other Earth system processes are now altered by humans. In the Anthropocene, humans move from a biological to a geological agent. The Anthropocene is distinguished as a new period after or within the Holocene, the current epoch, which began approximately 10,000 years ago (about 8000 BC) with the end of the last glacial period.

Now that the age during which all human civilization developed is ending, it might be time to pay more attention to the experience of those whose world has already ended -- indigenous peoples. Depending on how you count them, there may be up to three hundred million indigenous people still on the planet. Most are survivors of colonialism. The genocide of the Native Americans was the beginning of the modern world for Europeans, but the former remain as veritable end of the world experts. Models for restoring our relationship with the Earth exist in the cultures of indigenous peoples, whose values and skills have enabled them to survive centuries of invasion and exploitation.

Native American Perspectivism

Establishing a relation to indigenous thought and practice is no simple task. For Western relativism, there is one nature, but there can be many cultures, and it sets about studying, documenting and classifying them. Here cultures could be thought as specific ways of drawing analogies. The indigenous world operates very differently. Native American conceptions are grounded in perspectivism: the philosophical view that the world forms a complex of interacting interpretive processes in which every entity views every entity and event from an orientation peculiar to itself. It is structured by a universality of spirit and a diversity of bodies. A multinaturalism exists that is the polar opposite of our multiculturalism. In multiculturalism, there is one nature and different cultures. In multinaturalism, there is one culture (spirit/soul) and different natures. It implies that everything is alive, sentient, and shares a common spiritual essence.

Another way to view the difference is to put it like this: Westerners see themselves physically as animals and spiritually different; Native Americans see themselves spiritually as animals and physically different. Native American groups inhabit a radically different conceptual universe than ours -- in which nature and culture, human and nonhuman, subject and object are conceived in terms that reverse our own. Every relatable entity is conceived as having, whatever its bodily form, a soul -- intentionality and apperception -- of a "human" character, and that all beings thus perceive themselves as humans, and other beings as animals. While viewed by humans as animals, animals and other beings view themselves as humans and live in conditions similar to humans; that is, they have a social life similar to those who inhabit a Native American village.

Jaguars, for example, are thought to see themselves as humans, to see humans as human prey like deer, and their own food as that of humans. Successfully negotiating one's relations with other beings therefore requires adopting their perspectives, as shamans do when they shapeshift into animals, in order to know what they see things as being, and thereby in turn anticipating and knowing them as definite beings. Shamanism is a practice of escaping from the limits of a human perspective, crossing borders into the social worlds of other species, administering relations between natures.

The Mythical Paradise

To better understand Native American perspectivism, it is necessary to explore its mythological aspects. Native Americans were cosmocentric rather than ethnocentric. Native American myths take place at a time when the cosmos' multiple entities shared a collective human condition and were thus able to communicate with each other. The mythology and creation stories of all indigenous peoples speak of a primordial, but now lost paradise in which humanity lived in harmony with all that existed. The cosmos had total access to itself. There was but one language for all creatures and elements. Humans were able to converse with animals, birds, minerals, all nature's creations.

While in the primeval times, all beings were perceived as humans and nonhuman at the same time, or in a flux of constant transformation into one or another of these forms. Mythical animal characters are often portrayed as essentially human in bodily makeup, but possessed the individual characteristics of animals as they exist in nature today. Myths describe how, at some point, this generic human condition suffers severe disruption, which results in the transformation of the numerous types of humans that existed -- already differentiated by the physical or behavioral traits characteristic of the nonhuman beings they would later become -- into the different present-day species of animals, plants and other kinds of beings.

After the cosmic rupture, the shaman became essential as he could reconstitute the mythical paradise. In our day, as is times past, the shaman is able to access the mythic realm of reality through techniques of ecstasy. Shamanism is based on the principle that the social worlds of other species may be contacted through the inner senses in ecstatic trance, induced by shamanic practices such as repetitive drumming. The act of entering an ecstatic trance state is called the soul flight or shamanic journey, and it allows the journeyer to once again communicate with animals, plants, and all living things. Shamans believe that this direct communication is possible because the entire universe exists within human consciousness.

The Dismemberment Journey

In shamanism, there is an archetypal visionary experience known as the dismemberment journey. The student or practitioner of shamanism recognizes an illusion or fear that diminishes or impedes the expansion of their soul. The practitioner prays for this flaw to be healed and in doing so, surrenders to the wisdom of the "Higher Powers" of the universe to restore that which is broken. In a classic dismemberment journey, the petitioner witnesses their own body being torn apart and perhaps completely destroyed. The individual dies a symbolic death and is then restored and brought back to life, whole and empowered, the fear or illusion vanquished.

From an indigenous perspective, the Anthropocene represents a mass shamanic dismemberment -- the experience of being taken apart, devoured, or torn to pieces on a global scale, allowing for a shift of awareness and transformation of collective consciousness. At its deepest level, the dismemberment experience dismantles our old identity. It is a powerful death-and-rebirth process. The experience of being stripped, layer by layer, down to bare bones forces us to examine the bare essence of what we truly are.

Anthropologist Felicitas Goodman, the modern discoverer of ritual trance and sacred postures, notes that Siberian shamans considered dismemberment to be an essential phase of initiation for healers. Goodman researched and explored ritual body postures as a means to achieve a bodily induced trance experience and discovered that this archetype appears to be universal. In her trance work with Westerners, those who experienced spontaneous dismemberment visions were invariably destined to become various kinds of healers.

Completing this restorative rite is precisely the task of the shaman. As Joan Halifax explains in her book Shamanic Voices, "The shaman is a healed healer who has retrieved the broken pieces of his or her body and psyche and, through a personal rite of transformation, has integrated many planes of life experience: the body and the spirit, the ordinary and nonordinary, the individual and the community, nature and supernature, the mythic and the historical, the past, the present and the future." The cure for dismemberment is remembering who we actually are. As Halifax puts it, "To bring back to an original state that which was in primordial times whole and is now broken and dismembered is not only an act of unification, but also a divine remembrance of a time when a complete reality existed."

How Can We Restore Our Broken Reality?

To restore our broken reality, we can become hollow bones. Frank Fools Crow was a revered Lakota Holy Man who taught that you must become like a hollow bone to be a great healer. He believed that to become a conduit for the source of all creation fulfills the destiny of the human spirit: to sustain the order of existence. According to Fools Crow, "We are called to become hollow bones for our people, and anyone else we can help. When we become hollow bones there is no limit to what the Higher Powers can do in and through us in spiritual things."

To become a hollow bone, create sacred space as you would for other spiritual work. Close your eyes and breathe slowly and deeply. Focus on the breath as it enters the nose and fills your lungs, and then gently exhale any tension you might feel, clearing the energy channels of your body. Release all of your worldly concerns, doubts, and fears, allowing them to drift off on the air of the wind, on the breath of life. Feel yourself relaxing with each breath.
 
When you are fully relaxed, ask the Higher Powers to remove any blockages that prevent you from functioning as a hollow bone. Repeat the affirmation, "I choose to be a clean, hollow bone." Visualize yourself as a hollow bone or tube that is all shiny on the inside and empty. The cleaner the bone, the more energy you can channel through it, and the faster it will flow.

Now pick up a drum and stroke a slow, steady heartbeat rhythm, gradually increasing the tempo and intensity. The steady lub-dub, lub-dub of a heartbeat rhythm has a calming and centering affect. It generates a magnetic energy that is yin, intuitive, and receptive in nature. Magnetic energies are descending forces conducive to great healing, mind, and regenerative powers. This healing pulse draws the energy of the original cosmological pattern down into the Earthly realm, helping to align the circle of life with the original intention for the Earth. One of the most pervasive traditions of shamanic cultures is the insight that there exists a patterned cosmological order, which can be disturbed by human activity.

Focus your attention on the sound of the drum, thereby stilling the chatter in your mind. Allow the drum to empty you. Become one with the drum. As you drum, imagine the unifying spirit of the divine source flowing through you. Visualize a spiral of energy descending from the heavens above, entering your hollow bone and traveling down into the earth. You may feel it, see it, sense it, or simply imagine it. As you focus on it, it will occur, for all energy follows thought. When it feels appropriate, gradually decrease the tempo and intensity of your drumming. Visualize yourself fully grounded in your body, and then slowly open your eyes. 

Generation Anthropocene

A Stanford University team has boldly proposed that -- living as we are through the last years of one Earth epoch, and the birth of another -- we belong to "Generation Anthropocene." In the Anthropocene age, we are undergoing a transition to a new realization of consciousness. The acceleration of planetary crises can either incite a planetary awakening and a shift into a regenerative planetary culture based on shamanic wisdom and sustainable principles, or a destruction of human civilization in its current form, and perhaps extinction for our species. We're all responsible, for better or worse. We are navigators of the Anthropocene -- attempting to find our way to a new home.

Sunday, May 6, 2018

The I Ching and the Genetic Code

An excerpt from I Ching: The Tao of Drumming by Michael Drake
 
In the beginning, there was only the Tao or mysterious void. From Tao came forth t'ai chi, the unmanifest essence of being. Yin and yang, the feminine and masculine aspects of the universe were an inseparable whole. They rested in a state of absolute stillness in the oneness of t'ai chi. Through the act of creation, yin and yang became aware of their polarity. They began to vibrate and spiral in a sacred dance, giving birth to the sonic pulse of the cosmos. Radiating outward in ever-widening circles, the resonating energy of pulsation collected around inertia to form vibrational patterns and matter. Waves of rhythmic pulses reverberated throughout the universe, weaving the web of existence.

This cosmology that describes the universe in terms of only two polar but co-creative aspects is beautiful in its simplicity and forms the basis on which the I Ching was structured over 4000 years ago. The I Ching is an ancient Chinese text and divination system which counsels appropriate action in the moment for a given set of circumstances. Each moment has a pattern to it and everything that happens in that moment is interconnected. Based on the synchronicity of the universe and the laws of probability, the I Ching responds to an inquiry in the form of a hexagram. By evaluating the hexagram that describes your current pattern of relationship, you can divine the outcome and act accordingly.

The I Ching is the culmination of Chinese thought regarding the nature of reality. It is a philosophical system of primal insights into the workings and destiny of the universe. Philosophically, the I Ching describes the universe as a single, flowing, rhythmic being, and all things in it in constant cyclical change. Everything is t'ai chi, "one universal energy," which expresses itself as two polarized yet complementary aspects, yin and yang. Yin and yang ebb and flow, creating the cycles and rhythms of life. By observing nature, the sages perceived all of the rhythms and energy patterns that arise from the interaction of yin and yang. They then coded these rhythmic patterns into a "book of life." The I Ching's sixty-four hexagrams represent a code or program of the operating principle of life itself.

The hexagrams of the I Ching represent the sequence of development for everything that evolves from the void into a three-dimensional reality. The I Ching functions much like a computer. It is a binary mathematical program of all events, processes, and developments of nature, as well as a program of the fate of every living thing.

The Binary Code

At a fundamental level, the laws of the universe are written in a binary code. The binary mathematical system forms the basis of computer languages and applies to nearly everything from crystalline structures to the genetic code. Systems of binary progression underlie the structure of reality. Binary systems develop from two numbers or polar elements. The DNA code, for example, represents a binary progression of two to the sixth power, producing the sixty-four codons, or six-part structures that constitute the genetic code. The bilateral symmetry of DNA consists of a double helix with plus and minus strands, which contain the genetic script. Each strand is the inverse of the opposite in terms of polarity and direction of rotation, and each strand is capable of replicating the other. Both strands interconnect at regular intervals, forming binary pairs of molecular building blocks.

The sixty-four hexagrams, each with its six variants (lines), illustrate a pattern of development that mirrors DNA. Each odd numbered hexagram and its subsequent opposite or inverse represent binary pairs. Each stage of change or development is the result of interaction between conjugate pairs. A given situation would remain forever unchanging were it not for this dynamic interplay that spurs the static hexagram into motion.
 
The I Ching may contain the genetic code. Martin Schönberger, in The I Ching & the Genetic Code: The Hidden Key to Life, established numerous parallels that verify a congruency between the two codes. As Schönberger puts it, "The principle of polarity inherent in both systems, the world pole yang-yin on the one hand, the precisely symmetrical plus and minus strand of the DNA on the other, and the very marked congruence of the 64 signs when the two systems are combined, makes tenable the hypothesis that here we have one code..."

Sunday, April 29, 2018

Things a Shaman Sees


Everything that is -- is alive
on a steep river bank
there's a voice that speaks
I've seen the master of that voice
he bowed to me
I spoke with him
he answers all my questions
Everything that is -- is alive
little gray bird
little blue breast
sings in a hollow bough
she calls her spirits dances
sings her shaman songs
woodpecker on a tree
that's his drum
he's got a drumming nose
and the tree shakes
cries out like a drum
when the axe bites its side
all these things answer my call
Everything that is -- is alive
the lantern walks around
the walls of this house have tongues
even this bowl has it own true home
the hides asleep in their bags
were up talking all night
antlers on the graves
rise and circle the mounds
while the dead themselves get up
and go visit the living ones

-- Chukchee of Siberia1

1. David Cloutier, Spirit, Spirit: Shaman Songs, Incantations  (Providence: Copper Beech Press, 1973), pp. 32-33.

Sunday, April 22, 2018

The Call of the Drum

All over America, people of all ages are taking up drumming in great numbers. In communities all across the country, small drumming circles are springing up, oriented not toward performance and musical virtuosity, but toward personal transformation, consciousness expansion, and community building. Since there are no prerequisites to drumming, anyone can join in and explore rhythms with hands and drumsticks as an exhilarating way of communing.

Folklore around the world reflects the age-old use of drumming for creating communal and sacred space. Realizing that healthy living things are not only internally rhythmic, but also synchronized with their environment, the earliest communities of humans based their survival on keeping track of these rhythms. Living in harmony with the rhythms of nature was of vital importance. Perceiving life as a rhythmic existence, primal peoples used drumming rites to arouse and shape group emotion and behavior, developing a continuous, shared consciousness.

Drumming also served to influence modes of awareness that both underlie and transcend the normal patterns of consciousness. Cultures throughout the world continue to use drumming to initiate changes in group consciousness and to attune to the rhythms of life. The rites may differ significantly from culture to culture, yet virtually all utilize the drum to induce holistic states of consciousness.

Our own western culture is deeply rooted in drum images: the Little Drummer Boy of the Christmas tale, rudimental drumming of the military tradition, and the driving beat of rock and roll. Missing, however, is the spirit or trance side of the drum, a side recognized by virtually every culture on the planet. There are two voices to a drum. One is physical, having to do with the drum's construction, cultural context, and method of playing. To commune with the drum's second or spiritual voice, we must be carried away by the rhythm. We must soar on flights of rapture. It is this ecstatic element that today's drummers are rediscovering.

People are again hearing the call of the drum. As we hear and respect the compelling voice of the drum, we connect with our own inner guidance, which inspires us to heal our own place on the planet. The heartbeat of the drum is breaking through our soulless scientific misconceptions of nature to a new communion with our planet. The drum is calling us to a path of environmental sanity, to rejoining the miraculous cycle of nature. Indeed, it is the voice of our Earth Mother who is speaking through the drum, for the drum echoes the pulse of her heart. Her heart is crying out to the circle of humanity to attune our hearts again to hers. May we all heed the call of the drum.

Sunday, April 15, 2018

The Paradoxes of Rhythm

Pandit Subhankar Banerjee
One of the paradoxes of rhythm is that it has both the capacity to move your awareness out of your body into realms beyond time and space, and to ground you firmly in the present moment. A steady, monotonous single beat, for example, will arouse and vitalize you. At a rapid pace of about 180 beats per minute, a steady, unvarying pattern stimulates an upward flow of energy within the body. It creates the sensation of inner movement, which if you allow it, will carry you along.

A two-beat rhythm, on the other hand, produces a different sonic experience. The soft, steady lub-dub, lub-dub of a heartbeat rhythm, at around 60 beats a minute, has a calming and centering affect. It reconnects us to the warmth and safety of the first sound we ever heard -- the nurturing pulse of our mother's heartbeat melding with our own. At a rapid tempo of 180 beats per minute, the heartbeat rhythm stimulates a downward flow of energy within the body. Every rhythm has its own quality and touches you in a unique way. These qualities, in fact, exist within each of us, longing to be activated.

It is this process of internalization that allows us to access the inaudible yet perceptible soul, so-to-speak, of a rhythm. Another paradox of rhythm is that the audible pattern is the inverse of the "inaudible matrix." Every rhythm has both an inaudible (unmanifest) and audible (manifest) aspect -- silence and sound. It is the inaudible intervals between audible beats, which allow us to hear the grouping of beats in a coherent cycle or pattern. We sense the interval as the "off-beat" or light element and the audible beat as the heavy element. The drummer establishes the audible beat, whereas the silent pulse quality unfolds by itself in any rhythmic pattern.

Master percussionist, Reinhard Flatischler, in his book The Forgotten Power of Rhythm, established that all people perceive the unmanifest essence of this silent pulse in the same way, regardless of how the drummer shapes the audible pattern itself. As Flatischler puts it, "As the inaudible part of a cycle, this pattern exists in a universal archetypal realm. The audible shaping of the cycle, on the other hand, exists in the realm of uniqueness and individuality. In rhythm, both sides unite and thereby allow the individual to make contact with the world of archetypes."1

In conclusion, one can be creative with the audible aspect of a rhythm, as long as one stays within the framework of the cycle. One can shape a rhythm by varying the tempo, the intervals, the accents, or the drum sound itself. Alternatively, one can play the exact structure of a rhythmic pattern with precisely regular intervals. Both approaches to rhythm have merit and both allow you to internalize the archetypal essence of rhythm. The way you shape a rhythm will shape your response, but the "inaudible matrix" remains timeless and invariable. So do not be concerned about your rhythmic skill, technique, or competence. Allow yourself to be carried by the power of rhythm without fear of falling out of rhythm. Allow the drum to integrate the seemingly paradoxical yet complementary aspects of rhythm into the resonant core of your being. 

1. Flatischler, Reinhard. The Forgotten Power of Rhythm. Mendocino: LifeRhythm, 1992.