Experiencing Rhythms in the Body

Rhythm is a universal vibrational language. We respond to rhythm whenever we sense it and seek it out when it is not present, for we are innately rhythmic. Every rhythm has its own quality and touches you in a unique way. To experience this for yourself, try playing some different rhythms. Whether you drum or merely tap your fingers, learn to "feel the beat" by allowing it to sink into your body and consciousness. Notice how your body responds to each pattern. Keep in mind that the manner in which you play or shape a rhythm will affect your response. One of the paradoxes of rhythm is that it has both the capacity to move your awareness out of your body into realms beyond time and space and to ground you firmly in the present moment.
 

Begin by playing a steady, metronome-like rhythm with uniform time intervals. A clockwork drum beat generates a dynamic energy that is yang, creative, and expansive in nature. Dynamic energies are ascending forces that carry consciousness into higher realms. At a rapid tempo of three to four beats per second, a steady, rhythmic pattern, or "eagle-beat," will arouse and vitalize you. It creates the sensation of inner movement, which, if you allow it, will carry you along. As you continue to drum, you will become more ecstatic. You and your drum will seem to merge. You may speed up or slow down. That is perfectly normal. Shamanic trance is characterized by its range and flexibility, so don't get hung up on trying to maintain a certain speed. It can be distracting and your hands may get tired. Follow your inner sense of timing as to both tempo and duration.
 

After drumming the eagle-beat, simply relax and bathe in the sonic afterglow of physical and spiritual well-being. When the final drumbeat fades into silence, an inaudible, yet perceptible pulsation persists for a brief period. This silent pulse is ever-present within each of us, but our awareness is rarely in sync with it. Sense this silent pulse resonating within your body. You may experience the sensation of every particle in your body pulsing in sync with the rhythm you just played. This inner pulse entrains to the rhythmic pattern as soon as you begin to drum.
 

Next, try playing the steady pulse of a heartbeat rhythm. A two-beat rhythm produces a different sonic experience. The soft, steady lub-dub, lub-dub of a heartbeat rhythm has a calming and centering affect. It reconnects us to the warmth and safety of the first sound we ever heard -- the nurturing pulse of our mother's heartbeat melding with our own. According to Ted Andrews, author of Animal Speak, "a rhythm of two is a rhythm that helps connect you to the feminine energies of creative imagination, birth, and intuition." At a more rapid tempo, the heartbeat rhythm stimulates a downward flow of energy within the body. It generates a magnetic energy that is yin, intuitive, and receptive in nature. Magnetic energies are descending forces conducive to great healing, mind, and regenerative powers.
 

These two simple drum patterns are the healing rhythms I use most often in my shamanic work. Moreover, they are rhythm archetypes representing yin -- the form giving principle of energy, and yang -- the principle of life and consciousness immanent in all phenomena. Yin and yang are the binary elements that generate between them the totality of existence. A binary progression underlies the structure of reality. At a fundamental level, the laws of the universe are written in a binary code. The binary mathematical system forms the basis of computer languages and applies to nearly everything from crystalline structures to the genetic code. The binary basis of the genetic code is formed by the plus and minus strands of DNA.
 

The human experience is a microcosm and reflection of binary progression. The archetypes of rhythm are the fundamental patterns that underlie our resonant field of reality. Entraining to these archetypal rhythms, we experience them directly and discover our rhythmic interconnections. Each pattern pulsates specific qualities of energy that give inherent structure and meaning to the possibilities of being. They exist in every human being from the moment of conception to the final breath. Each human being is an integral composite of the archetypes of rhythm. Each of us is a series of rhythmic patterns summed up as a single inner pulse, the essential aspect of our being.

"The Shamanic Drum" July eBook Sale

Mark your calendar! I am taking part in the 14th annual Smashwords July Summer/Winter Sale, taking place Friday, July 1 through Sunday, July 31 2022. For the entire month of July, all of my ebooks are 50% off list price: The Shamanic Drum: A Guide to Sacred Drumming, I Ching: The Tao of Drumming, Shamanic Drumming: Calling the Spirits, Shamanic Drumming Circles Guide, The Great Shift, Riding Spirit Horse: A Journey into Shamanism and Shamanic Journeys: An Anthology. Choose from multiple file formats including .epub, .mobi for Kindles, and PDF. Click on the following link to my Smashwords author page and you will receive the 50% discount automatically by adding my books to your cart: Smashwords July Summer/Winter Sale.
 

Why does Smashwords call it "Summer/Winter"? Here in the Northern hemisphere, it's mid-summer. Readers are loading their e-reading devices for summer beach reading and long-awaited vacations. South of the equator, readers are now in the middle of winter. They're ready to curl up in front of the fireplace and enjoy a great read too! Smashwords is the world's largest distributor of indie ebooks. They make it fast, free and easy for any author or publisher, anywhere in the world, to publish and distribute ebooks to the major retailers and thousands of libraries. The Smashwords Store provides an opportunity to discover new voices in all categories and genres of the written word.

The Seven Principles of Hermeticism

Hermeticism is an ancient religious-philosophical tradition based primarily upon writings attributed to the mythical Hermes Trismegistus, an amalgamation of the Egyptian God Thoth and the Greek God Hermes. Hermeticism was largely a product of religious syncretism, drawing together themes from Judaism, Hellenistic philosophy and mythology, and classical Egyptian religion. The surviving writings of Hermeticism are known as the Corpus Hermetica, which is composed of a series of letters from Hermes Trismegistus, wherein he tries to enlighten his disciple. These letters were lost to the western world after classical times, but survived in the Byzantine libraries.

Throughout its history, Hermeticism was closely associated with the idea of a primeval, divine wisdom, revealed only to the most ancient of sages. In the Renaissance, this developed into the notion of an ancient theology, which asserted that there is a single, true theology which was given by God to some of the first humans, and traces of which may still be found in various ancient systems of thought. As a divine fountain of writing, the Hermetic texts contain the natural laws of the Universe. Knowing these principles will broaden your viewpoint, expand your horizons, and aid you in the pursuit of fuller, happier, more meaningful life. The Seven Hermetic Principles are:

1. The Principle of Mentalism: All is mind, the Universe is mental. The structure of our Universe is thought, mind and consciousness. Consciousness determines the form of our experience. Consciousness is the "theater of perceptual awareness." It is the collective consciousness of humanity that shapes physical reality. We are the Universe made conscious to experience itself. We are mind. We live in a Universe of mind. From photons to galaxies, life is conscious intelligent energy that can form itself into any pattern or function.
 

2. The Principle of Correspondence: As above, so below; as below, so above. Humanity is a microcosm of the macrocosm we call the Universe. Each human being is a hologram of the Cosmos, a weaving together of universal information from a particular point of view. Essentially, we are the Universe experiencing itself in human form.
 

3. The Principle of Vibration: Nothing rests, everything moves, everything vibrates. The Universe is made of vibrational energy. Everything in the Universe, from the smallest subatomic particle to the largest star, has an inherent vibrational pattern. The entire Universe is created through vibration and can be influenced through vibration.
 

4. The Principle of Polarity: Everything is dual; everything has poles; everything has its pair of complementary opposites; like and unlike are the same. A dual or binary progression underlies the structure of reality. At a fundamental level, the laws of the Universe are written in a binary code. The binary mathematical system forms the basis of computer languages and applies to everything from crystalline structures to the genetic code.
 

5. The Principle of Rhythm: Life is a rhythmic existence. Polarity gave birth to the pulse of life. Pulsation gave birth to time and material form, while the intervals of pulsation remained timeless and formless. All things are born of rhythm and it is rhythm that holds them in form. Rhythm and resonance order the natural world. Dissonance and disharmony arise only when we limit our capacity to resonate totally and completely with the rhythms of life.
 

6. The Principle of Cause and Effect: Every cause has its effect; every effect has its cause. Nothing happens by chance. Everything that we see in our world is a result of causes. For every effect in your life there is a specific cause. The intent and actions of an individual (cause) influence the future of that individual (effect).
 

7. The Principle of Gender: Gender is in everything; everything has its masculine and feminine principles; gender manifests on all planes. In the Hermetic texts, masculine energy is described as active, projective, expansive and corresponds to spirit. Feminine energy is described as passive, receptive, nurturing and corresponds to matter.

Our Milky Way Galaxy Vibrates Like a Drum

According to astronomers, our Milky Way galaxy is warped and vibrates like a drum because of the influence of two companion galaxies. Astronomers say peculiar drum-like vibrations in our Milky Way galaxy may explain why it is warped, and similar explanations may apply for other warped galaxies. The researchers said the effect is due to the most prominent of the Milky Way's satellite galaxies, a pair of galaxies called the Magellanic Clouds. They are stirring up with the Milky Way's dark matter, an invisible substance that is thought to make up more then 90 percent of the weight of the universe. The interaction creates a warp in the galaxy that has puzzled astronomers for half a century. The warp, most obvious in the thin disk of hydrogen gas permeating the galaxy, extends across the Milky Ways 200,000-light year width. A light year is the distance light travels in a year.

Leo Blitz, professor of astronomy at the University of California, Berkeley, and colleagues charted this warp and analyzed it in detail for the first time, based on a new galactic map of light given off by the  hydrogen gas. They found the gas layer is vibrating like a drumhead, and that the vibration consists almost wholly of three notes, also called modes. These notes would be unimaginably deep by human standards some three million octaves, or scales, below the note called middle C on a piano. This means that if a piano could play these notes, it would require a keyboard about the width of Iceland to do so.

It's not uncommon for astronomical objects to exhibit some sort of regular vibrations, like musical instruments, so that they can be said to be playing notes. Which note depends on the vibration speed. A study last summer found that a violent quake on the surface of a compact type of star called a neutron star left it playing the note of F sharp.

Although the Milky Way's warp has been known for almost 50 years, astronomers previously dismissed the Magellanic Clouds as its cause because the galaxies combined masses are only 2 percent that of Milky Way. This mass was thought too small to influence a massive disk equivalent to about 200 billion suns during the clouds 1.5 billion-year orbit of the galaxy. But Martin D. Weinberg of the University of Massachusetts joined Blitz to create a computer model that takes into account the Milky Ways dark matter. The motion of the clouds through the dark matter creates a wake that enhances their gravitational influence on the disk. The wake stirs a vibration at the center of the dark matter blob pervading the galaxy. This in turn makes the embedded galactic disc oscillate. When this dark matter is included, the Magellanic Clouds, in their orbit around the Milky Way, closely reproduce the type of warp observed in the galaxy. The model not only produces this warp in the Milky Way, but during the rotation cycle of the Magellanic Clouds around the galaxy, it looks like the Milky Way is flapping in the breeze.

The Rainbow Bridge

As a rhythm seeker, I spent much of my life exploring the rhythms of many of the world's shamanic and spiritual traditions. As I learned the drum ways of various world cultures, I found the same rhythmic qualities underlying all of them. Like the colors of the rainbow, each culture has its own hue or identity, yet each is a part of the whole society. Although the focus or intent differs from culture to culture, rhythmic drumming invariably has the same power and effects in all traditions. The resonant qualities and attributes of these rhythmic phenomena are universal and come into play whenever we drum.
 

The universal power of rhythm is the effects it has on consciousness. Recent studies have demonstrated that rhythmic drumming produces deeper self-awareness by inducing synchronous brain activity. The physical transmission of rhythmic energy to the brain synchronizes the two cerebral hemispheres. This shared resonance integrates conscious and unconscious awareness. The ability to access unconscious information through symbols and imagery facilitates psychological integration and a reintegration of self.
 

The ethereal rainbow arching high into the heavens symbolizes this harmonious union of intuition and intellect. In her book Voices of Our Ancestors: Cherokee Teachings from the Wisdom Fire, Dhyani Ywahoo states, "We are the rainbow, each of us. When we speak of rebuilding the 'Rainbow Bridge,' it is to bring into harmony the left and right hemispheres of the brain, to renew the flow of our intuitive mind." Regarding rhythmic stimulation, she says, "Chanting and drumming were also a significant part of the learning, balancing activity of the right and left hemispheres of the brain."
 

In his book Shamanism: The Neural Ecology of Consciousness and Healing, anthropologist Michael Winkelman reports that drumming also synchronizes the frontal and lower areas of the brain, integrating nonverbal information from lower brain structures into the frontal cortex, producing "feelings of insight, understanding, integration, certainty, conviction, and truth, which surpass ordinary understandings and tend to persist long after the experience, often providing foundational insights for religious and cultural traditions."
 

Brain hemisphere synchronization connects us to the guidance of our own intuitive knowing. Intuition reveals appropriate action in the moment for a given set of circumstances. Synchronous activity appears within consciousness as the most natural thing to do. One can readily perceive what aims are in accord with the cosmos and not waste energy on discordant pursuits. By allowing the intuition to lead the body, one attains clarity in movement. So long as one follows one's intuitive sense, one's actions will be in sync with the true self and ultimately the cosmos.

The Resonance Theory of Consciousness

The resonance theory of consciousness postulates that synchronized vibrations are central not only to human consciousness but to all of physical reality. Resonance is the ability of a vibrating object or sound source to transfer its energy to another object, making it vibrate in sympathy. The term resonance originated in the field of acoustics, particularly the sympathetic resonance observed in musical instruments, e.g., when one string starts to vibrate and produce sound after a different one is struck. All things in our universe are constantly in motion, vibrating. Even objects that appear to be stationary are in fact vibrating, oscillating, resonating, at various frequencies. Resonance is a type of motion, characterized by oscillation between two states. And ultimately all matter is just vibrations of various underlying fields. As such, at every scale, all of nature vibrates.

Something interesting happens when different vibrating things come together: They will often start, after a little while, to vibrate together at the same frequency. They "sync up," sometimes in ways that can seem mysterious. This is described as the phenomenon of spontaneous self-organization. For example, fireflies of certain species start flashing their bioluminescent fires in sync in large gatherings of fireflies. If two pendulums, swinging at different rates, are placed next to each other, they will gradually entrain until they are locked in perfect synchronization. They entrain because it requires less energy to pulse in unison than in opposition. Nature always seeks the most efficient energy state. 

This synchronization is a kind of physical communication between entities. Synchronized vibrations allow an exchange of energy and information. In the human brain, synchronization, in terms of shared electrical oscillation rates, allows for smooth communication between neurons and groups of neurons. Large-scale neuron firing can occur at specific frequencies, with human consciousness thought to be commonly associated with various kinds of neuronal synchrony. This shared resonance through specific neuronal electrochemical firing patterns creates an electromagnetic field that may itself be the seat of macro-conscious awareness. 

Consciousness through shared resonance takes panpsychism as its metaphysical starting point. This philosophical perspective suggests that all matter has at least some associated consciousness, albeit highly rudimentary in the large majority of instances. In other words, consciousness did not emerge at some point during evolution. Rather, it's always associated with matter and vice versa; they're two sides of the same coin. It is all about vibrations, but it's also about the type of vibrations and, most importantly, about shared vibrations. The more complex the synchronization is, the more complex the consciousness. So, for example, the billions of neurons that fire in the brain together to make a decision and form our experience of the world are extremely sophisticated, yielding a rich and dynamic sense of self or perception. To learn more, read "The Neuroscience of Drumming."

Your Brain on Drumming

Created by Pamela Lynn-Seraphine, MS. CCTP-II: www.21stcenturydrummer.com

Drumming is the equivalent of a full brain workout. It engages practically every area of the brain at once. The reason rhythm is such a powerful tool is that it permeates the entire brain. Vision for example is in one part of the brain, speech another, but drumming accesses the whole brain. The sound of drumming generates dynamic neuronal connections in all parts of the brain even where there is significant damage or impairment such as in Attention Deficit Disorder (ADD). According to Michael Thaut, director of Colorado State University's Center for Biomedical Research in Music, "Rhythmic cues can help retrain the brain after a stroke or other neurological impairment, as with Parkinson’s patients..." The more connections that can be made within the brain, the more integrated our experiences become.
 

The above infographic was created by Pamela Lynn-Seraphine, MS. CCTP-II. She is a trauma therapist, specialized in neuropsychology, drummer, consultant and brain-based educator. Pamela's research merges the brain-mind-body relationship of neural integration with the neurobiological underpinnings of drumming to understand its dynamics and improve holistic and integrative interventions in treating trauma and stress-related issues. She has researched areas such as the neurobiology of drumming for interpersonal trauma recovery, the biology of trauma, neurobiology of empowerment, peak performance, longevity, and healthy aging. Pamela is the founder of the 21st Century Drummer Academy--an online certification training program for mental health professionals and non-licensed professionals who want to provide neurobiologically informed rhythm-based interventions to clients as part of their professional scope of practice to help individuals heal the effects of complex/interpersonal trauma and adverse life experiences.
 

Current research like Pamela's is now verifying the therapeutic effects of drumming. Recent research reviews indicate that drumming accelerates physical healing, boosts the immune system and produces feelings of well-being, a release of emotional trauma, and reintegration of self. Other studies have demonstrated the calming, focusing, and healing effects of drumming on Alzheimer's patients, autistic children, emotionally disturbed teens, recovering addicts, trauma patients, and prison and homeless populations. Study results demonstrate that drumming is a valuable treatment for stress, fatigue, anxiety, hypertension, asthma, chronic pain, arthritis, mental illness, migraines, cancer, multiple sclerosis, Parkinson's disease, stroke, paralysis, emotional disorders, and a wide range of physical disabilities. To learn more read my article on Drum Therapy.

The Rhythm Archetypes

The I Ching is an ancient Chinese book of divination, in which 64 pairs of trigrams are shown with various interpretations. Otherwise known as the Book of Changes, this archaic and enigmatic text is the culmination of Chinese thought regarding the nature of reality. The fountainhead of Taoist and Confucian thought, it is a philosophical system of primal insights into the workings and destiny of the Universe. Philosophically it describes the Tao or Universe as a single, flowing, rhythmic being, and all things in it in constant cyclical change. The eternal Tao continuously gives birth to the one universal energy, which expresses itself as two polar but co-creative aspects--yin and yang.
 

The sages of ancient China revealed the most profound secret of the Universe--that yin and yang pulsate within all things and in unison, they are the moving force of Nature and all its manifestations. All things contain varying degrees of yin and yang. The white vibration of yang is light, active, masculine, creative, expansive, and corresponds to Heaven or spirit. The black vibration of yin is dark, passive, feminine, nurturing, intuitive, and corresponds to Earth or matter. The power of yin as a calm, receptive, female energy is the key to bringing balance to the world's excessively yang state--in other words, aggressive, male, extroverted, loud, superficial, materialistic, ego-driven culture.
 

By contemplating Nature, the wise sages perceived all of the rhythms and energy patterns that arise from the interaction of yin and yang. By observing patterns of events arising in the natural world, the social world and the inner world of the psyche, they deciphered Nature's rhythmic code. They then coded these rhythmic patterns into a "book of life." The I Ching's 64 hexagrams represent a code or program of the operating principle of life itself. Each six-lined symbol is the visual representation of a rhythm archetype. The rhythm archetypes are the "sonic seeds" of all that exists.
 

The entire Universe is created through vibration and can be influenced through vibration. T'an Ch'iao, a Taoist adept of the tenth century, expressed this potential when he wrote, "When energy moves, sound is emitted; when sound comes forth, energy vibrates. When energy vibrates, influences are activated and things change. Therefore it is possible thereby to command wind and clouds, produce frost and hail, cause phoenixes to sing, get bears to dance, make friends with spiritual luminescences."
 

The Hexagram Rhythms
 

Moreover, each six-lined symbol depicts a particular drum pattern, which renders the essence of each hexagram into sound. A solid yang line _____ represents one whole beat, while a broken yin line __  __ represents two half beats or a heartbeat. For example, the rhythmic pattern of Hexagram 58, "The Joyous," resembles the opening beats of the familiar processional "The Wedding March." This simple drum pattern is depicted below. Remember, hexagrams are read from bottom to top.

             Line 6        __  __        drum—drum         in white
             Line 5        _____              drum               dressed
             Line 4        _____              drum                   all
             Line 3        __  __        drum—drum        the bride
             Line 2        _____              drum                comes
             Line 1        _____              drum                 Here

Drumming is an innovative way to engage with an I Ching reading. It is a type of focus meditation, requiring total concentration. Drum meditation is a way to access the archetypal wisdom contained in each hexagram. As a form of meditation, drumming activates perceptions that can be attained by no other means. By drumming the hexagrams, one can achieve a level of intuitive understanding beyond linguistic interpretations. Archetypal knowledge is symbolic and non-linear. It does not lend itself readily to logical or verbal expression. It is wisdom that can only be experienced intuitively. The process is an effective meditative technique for self-exploration.

"The Shamanic Drum" eBook Sale

Mark your calendar! I am taking part in the 13th annual Smashwords July Summer/Winter Sale, taking place Thursday, July 1 through Saturday, July 31, 2021. For the entire month of July, all of my ebooks are 50% off list price: The Shamanic Drum: A Guide to Sacred Drumming, I Ching: The Tao of Drumming, Shamanic Drumming: Calling the Spirits, Shamanic Drumming Circles Guide, and The Great Shift: And How To Navigate It. Choose from multiple file formats including .epub, .mobi for Kindles, and PDF. Click on the following link to my Smashwords author page and you will receive the 50% discount automatically by adding my books to your cart: Smashwords July Summer/Winter Sale.
 

Why does Smashwords call it "Summer/Winter"? Here in the Northern hemisphere, it's mid-summer. Readers are loading their e-reading devices for summer beach reading and long-awaited vacations. South of the equator, readers are now in the middle of winter. They're ready to curl up in front of the fireplace and enjoy a great read too! Smashwords is the world's largest distributor of indie ebooks. They make it fast, free and easy for any author or publisher, anywhere in the world, to publish and distribute ebooks to the major retailers and thousands of libraries. The Smashwords Store provides an opportunity to discover new voices in all categories and genres of the written word.

What is Shamanism?

Shamanism is universal and not bound by social or cultural conditions. It’s the most ancient and most enduring spiritual tradition known to humanity. Shamanism predates and constitutes the foundation of all known religions or philosophies. In essence, shamanism is the spiritual practice of ecstasy. Ecstasy is defined as a mystic, prophetic or poetic trance. Ecstatic trance is an academic term referring to those inwardly focused experiences of cosmic oneness, that mystical connection to a living, intelligent Universe that exists within each of us. Practitioners enter altered states of consciousness in order to perceive and interact with the inner world of the self. The act of entering an ecstatic trance state is called the soul flight or shamanic journey.
 
The shaman’s trance is an intentionally induced state of ecstasy. Shamanic trance is characterized by its flexibility, ranging from light diagnostic states to full embodiment trance states. Shamans use intention and discipline to control the nature, depth, and qualities of their trance states. The shaman may progress through a range of trance states until they reach the level that is necessary for healing to occur.
 

The capacity to enter a range of trance states is a natural manifestation of human consciousness. The ability to enter trance states makes us human, not shamans. What makes shamans unique is their mastery over an otherwise normal human trait. It requires training, practice and devotion to master any expressive art. Shamans master the art of ecstasy to see the true nature of the universe.
 
Shamanism is a way of perceiving the nature of the universe in a way that incorporates the normally invisible world where the spirits of all material things dwell. Shamans have different terms and phrases for the unseen world, but most of them clearly imply that it is the realm where the spirits of the land, animals, ancestors and other spiritual entities dwell. Spirit encompasses all the immaterial forms of life energy that surround us. We are woven together into a net of life energies that are all around us. These energies can appear to us in different forms, such as spirits of Nature, animals or ancestors. The spirit world is the web of life itself.
 
Shamanism represents a universal conceptual framework found among indigenous tribal humans. It includes the belief that the natural world has two aspects: ordinary everyday awareness, formed by our habitual behaviors, patterns of belief, social norms and cultural conditioning; and a second non-ordinary awareness accessed through altered states, or trance, induced by shamanic practices such as repetitive drumming. This second-order awareness can be developed over time or appear all at once, but once it is discerned the world is never the same. According to shamanic theory, the ordinary and non-ordinary worlds interact continuously, and a shamanic practitioner can gain knowledge about how to alter ordinary reality by taking direct action in the non-ordinary aspect of the world.
 
Rhythmic drumming is a simple and effective way to induce ecstatic trance states. When a drum is played at an even tempo of three to four beats per second for at least fifteen minutes, most people can journey successfully even on their first attempt. Transported by the driving beat of the drum; the practitioner journeys to the inner planes of consciousness to obtain personal revelation and spiritual experience.
 
According to shamanic cosmology, there are three inner planes of consciousness: the Upper, Middle, and Lower Worlds. The three realms are linked together by a vertical axis that is commonly referred to as the World Tree, or axis mundi. This central axis (spinal column) exists within each of us. Through the sound of the drum, which is invariably made of wood from the World Tree, the shaman is transported to the cosmic axis within and conveyed from plane to plane.
 
The shaman traverses the inner planes in order to change and shape experience. It is an inward spiritual journey of rapture in which the shaman interacts with the inner world, thereby influencing the outer world. In the shaman’s world, all human experience is self-generated. Experience is shaped from within since the three realms or resonant fields that define our experience of reality exist within each of us.
 
The essence of shamanism is the experience of direct revelation from within. Shamanism is about remembering, exploring and developing the true self. Shamanism places emphasis on the individual, of breaking free and discovering one’s own uniqueness in order to bring something new back to the community. Shamanic practice heightens the ability of perception and enables you to see into the deeper realms of the self. Once connected with your inner self, you can find help, healing, and a continual source of guidance. To practice shamanism is to reconnect with your deepest core values and your highest vision of who you are and why you are here.

Ritual Drumming: Invoking the Spirits

Ritual drumming is a tool used by shamanic practitioners to engage the powers of the unseen world to effect specific changes in the physical world. A shamanic ritual often begins with heating the drumhead over a fire to bring it up to the desired pitch. The sound of the drum is very important. Practitioners may strike certain parts of the drum to summon particular helping spirits. It is the subtle variations in timbre and ever-changing overtones of the drum that allow the practitioner to communicate with the spiritual realm. The practitioner uses the drum to create a bridge to the spirit world, while simultaneously opening the awareness of all the participants to that bridge. A master drummer can draw powerful rhythms from the drum that can transport others into specific dimensions of the spirit world.

All elements of drum music such as timbre, rhythm, volume and tempo play an important role in shamanic ritual. By using different parts of the drumstick to play on different parts of the drum, different timbres can be produced for transmitting different meanings. Different rhythms transmit different meanings and enable the practitioner to contact different beings in different realms of the cosmos. Volume and tempo arouse feelings in the listener and communicate symbolic meanings directly as aural sense experience.

A practitioner may have a repertory of established rhythms or improvise a new rhythm, uniquely indicated for the situation. The drumming is not restricted to a regular tempo, but may pause, speed up or slow down with irregular accents. The practitioner may stop playing altogether, or suddenly hoist the drum skyward and bang it violently, throwing the disease into the heavens; returning it to the spirit world.

Creating effective rituals

Ritual drumming is a universal way to address the spirit world and provide some kind of fundamental change in an individual's consciousness or in the ambience of a gathering. It is designed to engage the spirit world in helping us to do what we are unable to do for ourselves. With a strong connection to the powers of the spirit world, ritual becomes an effective tool for restoring or changing the status quo. By creating effective ritual, we can skillfully engage spirit in the processes we are involved in like healing, therapy or actualizing our goals. Potent rituals have similar foundational elements. Key elements of this foundation include:

1. Intention is the first element of effective ritual. You should have a clear idea of what you want to accomplish. Without a clear intention or desired outcome, the energy created in the ritual is poorly structured with little or no direction. Articulating your desired outcome is how you channel the energy of the performance toward the intended objective. One good way to think about it is by asking yourself what you want to happen as a result of the ritual. What effect do you want it to have on individuals, community and the world?

2. The creation of sacred space. Sacred space is that territory that we enter for spiritual and inner work. Regardless of your spiritual beliefs, having a special place in your home reserved for quiet introspection, reflection and spiritual connection can nourish your soul. A sacred space can be any location in your home where you can be by yourself and be fully self-expressed. Be creative with this, but find a special place for you to go at least once a day.

Consider setting up an altar that is appropriate for the purpose of your ritual or ceremony. Although an altar is not essential, it provides us with a focus to pray, meditate and listen. An altar is any structure upon which we place offerings and sacred objects that have spiritual or cosmological significance. It represents the center and axis of your sacred space. A simple altar can be created with a cloth, a candle and other symbols that mean something to you.

It is important to cleanse your sacred space before starting any spiritual work. Cleanse the space by smudging and/or spraying holy water around the perimeter. Preparing a purified sacred space shifts our awareness from ordinary waking consciousness to a more centered, meditative state. Ritual preparation awakens our connection to the web of life and structures a boundary that separates the sacred from the ordinary and profane.

3. The opening of sacred space. After preparing a purified sacred space, you may wish to ritually open the space. The opening of sacred space is essentially an invocation; calling in the spiritual energies of the seven directions: East, South, West, North, Up, Down and Within. Calling in the directions not only aligns you with their power, but is a spiritual activity in and of itself. The orientation embeds you in the living web of life, yielding greater awareness and perspective. It imparts a comprehensive recollection of the basic experience of being fully human. The ritual grounds you completely in the present moment to begin your day or to begin a specific spiritual practice.

Though there are no rules or restrictions, on most occasions a sacred circle is cast in a sun-wise direction. I would suggest you start in the East where the sun rises. Strike your drum four times to open a portal in the East to the spirit world. Using words, chanting or song, invite the benevolent spirit powers associated with that direction to participate and assist in the ritual or ceremony. Welcome the spirits with an open heart and mind. Some people will whistle or make animal sounds to call in spirit helpers. Trust your instincts and intuition in this process.

Pause after calling the spirit helpers of the East and listen for any guidance or wisdom that direction has to share. The spirits will always respond when you call them. Sound does not just travel out into oblivion. There is a call and then a response. Pay attention to any guidance that comes to you. Communication may enter your awareness as a flash of color in your mind's eye, a visual symbol, a tingling of the spine or an inaudible sound heard deep within your soul. It may be visual, auditory, intuitive or some combination of these. Sometimes it is just a knowing that your helping spirits and guides are now around you. You may feel energy flowing into your hands, feet or arms, or showering down through your crown. When I channel spirit energy, I often feel chills and goose-bumps.

Next, pivot around clockwise and repeat the same procedure to invoke the spirits of the South, the West and the North. After that, invoke Father Sky above and Mother Earth below. When invoking Father Sky, reach to the heavens; when invoking Mother Earth, reach down and touch the ground where you stand.

Finally, face the center of the circle and bring your hands to your heart to invite the spirit of Within. Call upon the spirit of divine unity that flows from within the center of your being where the six directions meet. Welcome the gifts of balance, oneness and connection with all things, for all things are one and all things are related.

4. The induction of altered states. Altered states of consciousness are induced through intense rhythmic drumming. An altered state of consciousness is any state of mind that is significantly different from normal waking consciousness. Altered states produce deeper self-awareness; allow us to connect with the power of the universe, to externalize our own knowledge and to internalize our answers.

5. The closure of sacred space. When you have finished your ritual, sacred space should be closed. Follow the same procedure as for the opening, but in reverse order. Begin by thanking the spiritual energies of Within, Mother Earth and Father Sky, and then the North, West, South and East in a counterclockwise movement. Play your drum to say farewell to the spirits. As you drum, give thanks to all your relations for the needs met. The phrase "all my relations" is used at the end of a prayer in many shamanic traditions, for all living things share in the relationships of life on Earth. Express your gratitude to the helping spirits for assisting you and send them off, releasing their energies to the seven directions. Remember that drumming opens portals to the spirit world, draws spirit in, and opens you up to receive it.

Milford Graves, Visionary Drummer, Dead At 79

Drummer, scientist, educator and improviser Milford Graves died in his Queens, N.Y. home around 3 p.m. on Fri., Feb. 12. He was 79. Lois, his wife of sixty-one years, confirmed that the cause was congestive heart failure. Mr. Graves was surrounded by Lois, his five children (four daughters and a son), his beloved granddaughter, Tatiana, and a cross-section of students across generations who had bestowed him with the honorific "Professor," a nod to his guidance in music, botany, martial arts and metaphysics.

 

Milford Graves was Professor Emeritus of Music at Bennington College in Vermont, where he taught the power and aesthetic of Black Music as a faculty member from 1973-2012. He used his platform there to express his many ideas, most well beyond the confines of the performance stage, operating instead as a kind of shamanic artist and teacher, whose emotional and intellectual connection to traditional music he fused with scientific inquiry and study.
 

Graves graduated from the Eastern School for Physicians' Aids in the 1960s, and worked in a diagnostic veterinary lab for two years. He purchased an album of stethoscopic heart recordings during a lunch break in 1973, and its content led him to pursue the path of his life's work: He began to record heartbeats and transcribe them into music notation. What started as a rudimentary documentation on reel-to-reel tape increased in sophistication with the adoption of advanced computing technology, culminating in Mr. Graves's use of algorithms to create visualizations and sound data that plotted the human heartbeat and its varied electrical states for the purpose of healing. His discoveries led to a patent for preparing non-embryonic stem cells from a tissue derivative, subjecting those cells to vibrations from a heart sound to control the degree of differentiation into several other types of cells. He once said, "Drumming should be taught in medical school. Know your beats. There are subtleties in the heartbeat that cannot be picked up through electronic imaging," and his scientific rigor on heart rates informed a non-linear approach to playing rhythm.
 

Graves was a prominent jazz drummer and percussionist from the 1960s New York avant-garde and free-jazz movements. New York City in the 1960s was an artistic cauldron, and the ideas of freedom and struggle coursing through the Civil Rights and Black Power Movements began to manifest in an expansive view of improvisation and music-making. The avant-garde, or New Thing, loosened certain strictures and gave improvisers like Graves an opportunity for wide-open self expression, and even established artists like Coltrane seemed to be drawing from the same creative well. "Milford played how he felt music should sound related to what was around him," says longtime friend and collaborator, drummer and composer Andrew Cyrille. The music felt like a departure from tradition, and some writers derided the striking new music with withering criticism. Meanwhile, Graves was transforming the role of the drums. He viewed his holistic approach to drums as an extension of how he lived with "outside forces having less control of you, allowing you to have more flexibility, more freedom and listening to the vibrations of the earth, that nature gave you."
 

Graves also began exploring martial arts in the late 1960s. He created a new form called Yara, from the Yoruban word meaning "nimble." He followed a teacher's interest in the praying mantis as a model. He subsequently bought and released these insects into his own garden, followed their movements and developed his own martial arts study based on their natural behavior. This inspired the title of a 2018 documentary on Graves, Full Mantis.
 

When his grandmother died, in 1970, Graves moved into her modest 20th-century home at the corner of Brinkerhoff Avenue and 156th Street in Queens, just blocks from the South Jamaica Houses he once called home. He personalized the lot and dwelling with a distinctive flair, adding stone and ceramic architectural elements to the exterior structure in a playful style akin to Antonio Gaudi. He created an organic garden to promote healing arts and added a dojo to teach Yara. Inside there's murals, sculptures and drums from around the world; a downstairs laboratory includes dried herbs and botany research, elixirs, Eastern medicine texts and acupuncture practice juxtaposed with electrocardiogram machines and computer monitors. And books. Lots of books. Graves was a generous polymath who openly shared his knowledge.
 

Mark Christman, artistic director of Ars Nova Workshop, has been measuring and curating aspects of Graves' immense contribution to music, science, botany and martial arts over the last several years. The collection spent four months at Philadelphia's Institute for Contemporary Art, with a five-week pause due to pandemic restrictions. The exhibit, A Mind-Body Deal, drew more than 2,000 attendees and over 5,000 participants to its many virtual events, including a solo performance from Moran. "Milford Graves offers a perspective that isn't limited by the way we've been forced to learn," says Christman. "That linear way of study doesn't allow a mixture or mash-up of thoughts and decision-making. That's why he's adored, and people looked to him for answers."

To learn more about Milford Graves, read “Taking Rhythm to Heart.”

Working with Shamanic Drums

As a drum circle facilitator, I get asked a lot about how to work with shamanic drums. Drums are an essential part of shamanic work; we use them for journeying, healing and celebration, both for ourselves and for the community. Additionally, the shamanic techniques of extraction, soul retrieval and divination can all be performed with the drum. Yet many people I meet who acquire a drum say they want to work with it but they are not sure how to.
 

Before shamanizing with a drum, sit and meditate with the instrument for a few minutes. By quieting the mind, you will be able to connect with the spirit of the drum. When you feel ready, pick up your drumstick and grip it with the thumb at the side and the fingers curled underneath. Hold the stick with a tight, relaxed grip and start playing at the rhythm the spirits direct you to use. Remember to "stroke" the drum, rather than "beat" it. Never vent your frustrations by pounding on a drum. One should always "drum the beat," rather than "beat the drum."
 

Always begin a drumming session by softly stroking the drum, and then gradually increase the intensity of your playing. It is not necessary to hammer the drum to bring out its unique voice and resonance. It is best to stroke the drum firmly, producing ringing tones and overtones. Use short strokes with a minimal amount of motion to pull the sound out of the drum. Keep your arms and shoulders relaxed, breathing slowly and deeply as you play. By playing the drum in this manner, you will have greater precision and endurance.
 

When a stick hits a drumhead, it rebounds in the opposite direction. The drummer who plays with too much tension, or hammers the stick into the drum, will find that the direction of the stick continues to move downward contrary to the upward push of the rebound. Rather than bouncing off the head, the stick is forced into the head by a hand still pushing down on the stick after it should have changed direction. The result is a loss of speed, control and clean, distinct strokes.
 

The less tension there is in the muscles of the arms and hands, the easier it is to respond to the bounce off the head. Moreover, by incorporating the energy coming off the drumhead into the upstroke, the drummer's playing will become quicker, more fluid and relaxed. That way the energy circulates, comes back and you can use it again. The key is to focus your energy to that point on the drumhead's surface that you are striking, not beyond it. Transfer your energy and intention into the drum, using a smooth, relaxed stroke. With practice, you learn just how much energy to send out to achieve a desired result and how much to retain so that you don't tire.
 

Move the drumstick around the head of the drum as you play, allowing the various tones and overtones to resonate through you. You will find the higher tones around the outer edges of the drumhead and the deeper sounds toward the center of the drum. If you can, find the sweet spot--that place where the drum begins to hum and sing. The drum has to sing in order to reach its full potential for healing and empowerment.
 

When playing a drum, life force energy flows between the drumhead and the drumstick. With practice, you should be able to feel this subtle force pushing and pulling on the stick. Allow this force to guide your drumming in order to draw out what is already within the drum. Shamanic drumming is about transposing already existing harmonics into sound by stroking them from the drum.

What is Rhythm?

Rhythm, in music, is the arrangement of sounds in time. The unit division of musical time is called a beat. Rhythm is the way that music is systematically divided into beats that repeat a specific number of times within a bar (or measure of time) at a particular speed or tempo. Rhythm is characterized by the regular sequence of opposite elements: the dynamics of the strong and weak beat, the played beat and the inaudible but implied rest beat, or the long and short note. When a series of notes and rests repeats, it forms a rhythmic pattern.

 

Rhythm functions as the driving engine of a piece of music, and it gives a composition structure. Whatever other elements a given piece of music may have (e.g., patterns in pitch or timbre), rhythm is the one indispensable element of all music. Rhythm can exist without melody, as in the drumbeats of shamanic trance drumming, but melody cannot exist without rhythm. In music that has both harmony and melody, the rhythmic structure cannot be separated from them. 

Rhythm is music's pattern in time. Music cannot happen without time. The placement of the sounds in time is the rhythm of a piece of music. Because music must be heard over a period of time, rhythm is the most essential aspect of music. Having a sense of rhythm separates good musicians from those that don't. For the drummer, rhythm is about keeping time for they are one in the same. The pulse of the drum is the pulse of time. The drummer is the timekeeper. Keeping time is the most important function of any drummer.

 
The Soul of Rhythm

Neuroscience research has demonstrated the therapeutic effects of rhythmic drumming. The reason drumming is such a powerful tool is that rhythm is rooted in innate functions of the brain, mind and consciousness. Our relationship with rhythm begins in the womb. At twenty-two days, a single (human embryo) cell jolts to life. This first beat awakens nearby cells and incredibly they all begin to beat in perfect unison. These beating cells divide and become our heart. This desire to beat in unison seemingly fuels our entire lives. Studies show that, regardless of musical training, we are innately able to perceive and recall elements of beat and rhythm.

We respond to rhythm whenever we sense it and seek it out when it is not present, for we are innately rhythmic. Every rhythm has its own quality and touches you in a unique way. These qualities, in fact, exist within each of us, longing to be activated. It is this process of internalization that allows us to access the inaudible yet perceptible soul, so to speak, of a rhythm. One of the paradoxes of rhythm is that the audible pattern is the inverse of the "inaudible matrix." Every rhythm has both an inaudible and audible aspect -- silence and sound.

Silence and sound are the two fundamental aspects of our vibrational world. Silence is the unmanifest essence of the unseen world. Audible sound is the manifest form. It is the inaudible intervals between audible beats that allow us to hear the grouping of beats in a coherent cycle or pattern. We sense the interval as the offbeat, or light element, and the audible beat as the heavy element. The drummer establishes the audible beat, whereas the silent pulse quality unfolds by itself in any rhythmic pattern. 

Master percussionist, Reinhard Flatischler, in his book The Forgotten Power of Rhythm, established that all people perceive the unmanifest essence of this silent pulse in the same way, regardless of how the drummer shapes the audible pattern itself. As Flatischler puts it, "As the inaudible part of a cycle, this pattern exists in a universal archetypal realm. The audible shaping of the cycle, on the other hand, exists in the realm of uniqueness and individuality. In rhythm, both sides unite and thereby allow the individual to make contact with the world of archetypes."

The Healing Heartbeat Rhythm

According to new neuroscience research, rhythm is rooted in innate functions of the brain, mind, and consciousness. As human beings, we are innately rhythmic. Our relationship with rhythm begins in the womb. At twenty two days, a single (human embryo) cell jolts to life. This first beat awakens nearby cells and incredibly they all begin to beat in perfect unison. These beating cells divide and become our heart. This desire to beat in unison seemingly fuels our entire lives. Studies show that, regardless of musical training, we are innately able to perceive and recall elements of beat and rhythm.

Rhythm is the heartbeat of life. It is the primal power that unites us all. All rhythm is healing, but the heartbeat rhythm is the most healing of all. The familiar lub-dub, lub-dub of a heartbeat rhythm has a therapeutic, integrative and calming effect. This healing pulse redistributes the energy from your head into your body. It has an almost instant grounding and centering effect. Moreover, it reconnects us to the warmth and safety of the first sound we ever heard -- the steady, nurturing pulse of our mother's heartbeat. When we drum the heartbeat, we connect to the feminine energies of creative imagination, birth, and intuition.

The heartbeat is a rhythm archetype representing yin, the receptive, feminine form-giving principle of energy. Yin energy is magnetic, receptive and conducive to great healing and regenerative powers. It is a descending force that draws the energy of the original cosmological pattern down into the earthly realm, helping to align the circle of life with the original intention for the Earth. One of the commonly held beliefs in shamanic cultures is that there exists a patterned cosmological order, which can be disrupted by human activity. When harmony between the human realm and the original intended pattern is disturbed, we drum the heartbeat to bring back the balance. In harmonizing the microcosm of the self with the macrocosm of the universe, we harmonize Heaven and Earth.

Every rhythm has its own quality and touches you in a unique way. These qualities, in fact, exist within each of us, longing to be activated. It is this process of internalization that allows us to access the inaudible yet perceptible soul, so to speak, of a rhythm. There are two voices to a drum. One is physical, having to do with the drum's construction, cultural context, and method of playing. To commune with the drum's second or spiritual voice, we must be carried away by the rhythm. We must soar on flights of rapture. It is this ecstatic element that today's drummers are rediscovering.

People are again hearing the call of the drum. As we hear and respect the compelling voice of the drum, we connect with our own inner guidance, which inspires us to heal our own place on the planet. The heartbeat of the drum is breaking through our soulless scientific misconceptions of nature to a new communion with our planet. The drum is calling us to a path of environmental sanity, to rejoining the miraculous cycle of nature. Indeed, it is the voice of our Earth Mother who is speaking through the drum, for the drum echoes the pulse of her heart. Her heart is crying out to the circle of humanity to attune our hearts again to hers. May we all heed the call of the drum.

"Rhythms Within A Turquoise Dream"

"Rhythms Within A Turquoise Dream" is the latest music release from Native American artist Louie Gonnie. Gonnie is Dine from the Navajo Nation in New Mexico. Gonnie admired his father and uncles and wanted to be like them so he began to sing in the Native American Church. He is also a well rounded artist, expressing himself in music, art and writing.

Gonnie started singing for family and friends. Eventually, people were recording his music and he realized that he could have a career as a recording artist. His albums started out as Peyote songs of the Native American Church. Since then he has created a more contemporary style.

Gonnie is the exemplar of a creative artist. While very much a part of Dine traditions and very much living its values, Gonnie has an artist's desire to find personal expression within the world of his community. His first two recordings -- Sacred Mountains and Elements (my personal favorite) -- were explorations of the music of the Navajo people in which traditional experience was the foundation for this artist's unique music.

Gonnie's latest album, "Rhythms Within A Turquoise Dream," is a direct return to his roots in the Native American Church. The recording of peyote songs is always a controversial issue within the Native American Church. Some practitioners feel that the songs, as they are intrinsic to a sacred ritual, should never be recorded, while many others feel that recordings are important for disseminating their songs throughout the community.

Even as he lives in respect for NAC values, Gonnie takes the songs for the peyote ritual to a new place. While his song forms are very traditional, the means of producing those songs (extensive studio multi-tracking) is not. Nonetheless Gonnie's compositions and layered harmonies are reverent, spiritual, and achieve transcendence. Anchored by a water drum and sustained by waves of his flowing vocals, Gonnie leads an inner voyage from dreams to actuality, from earth to sky and from the past to eternity.

Soul Flight: A Spiritual Prescription for Coronavirus

I am not a medical professional or an expert on epidemics. I leave the critical information in those important fields for the experts who have the appropriate training to help us get through the coronavirus pandemic. Even though I do not possess medical knowledge, as a shamanic practitioner, I believe I can try to humbly prescribe a vaccine that can heal the spirit -- the soul flight or shamanic journey. In the shamanic world, all healing begins with the spirit.

Shamanism is based on the principle that innate wisdom and guidance can be accessed through the inner senses in ecstatic trance. Basically, shamanic journeying is a way of communicating with your inner or true self and retrieving information. Your inner self is in constant communication with all aspects of your environment, seen and unseen. You need only journey within to find answers to your questions. You should have a question or objective in mind from the start. Shamanic journeying may be undertaken for purposes of divination, for personal healing, or for any number of other reasons. After the journey, you must then interpret the meaning of your trance experience.

Drumming (or listening to a shamanic drumming recording) is a simple and effective way to induce this ecstatic trance state. When a drum is played at an even tempo of three to four beats per second for at least fifteen minutes, most novices report that they can journey successfully even on their first attempt. Transported by the driving beat of the drum; the shamanic traveler journeys to the inner planes of consciousness: the Upper, Middle, and Lower Worlds. You should always journey with a purpose, question or intention. Some good reasons to take a shamanic journey at this challenging time are….

1. To reconnect with your inner or spirit self: Shamanic journeying heightens the ability of perception and enables you to see into the deeper realms of the self. The moment you bond with your spirit is the moment your heart opens. The first time you glimpse your spirit self, you gasp and cry. You know who you are. That is the moment you begin to heal. Journey work reconnects us to our core, enhancing our sense of empowerment and stimulating our creative expression.

2. To clarify life purpose: When we are unaware of our soul's true purpose or simply not aligned in our actions, we often experience a malaise of the spirit. We can engage the blueprint of our soul path through the vehicle of journeying. Shamanic journeying is a time-tested medium for individual self-realization. We can journey within to access wisdom and energies that can help awaken our soul calling and restore us to wholeness. Journey work reconnects us with our deepest core values and our highest vision of who we are and why we are here. It heightens our sense of mission and purpose, empowering our personal evolution.

3. To access a higher power: Shamanism provides a secular approach to accessing a higher power. Shamanic methodology directly supports the introduction of spiritual factors found significant in the healing process. According to the American Journal of Public Health, "Shamanic activities bring people efficiently and directly into immediate encounters with spiritual forces, focusing the client on the whole body and integrating healing at physical and spiritual levels. This process allows them to connect with the power of the universe, to externalize their own knowledge, and to internalize their answers; it also enhances their sense of empowerment and responsibility. These experiences are healing, bringing the restorative powers of nature to clinical settings."

4. To divine information: You can journey within to obtain information about personal and community issues. Your helping spirits are a good resource when it comes to answering questions pertaining to relationships, health issues, or any issue. To divine information in a journey, begin with a clear question that you would like to ask of your helping spirits. Decide which of your helping spirits you would like to answer your question, and then journey to the place where you normally meet them in non-ordinary reality. Of course you can ask your question to as many of your helping spirits as you wish. When divining or healing on behalf of others, it is vital that you have their permission.

5. To develop relationships with the helping spirits who dwell in the three inner planes of consciousness -- the Upper, Middle, and Lower Worlds: Shamanism is a sacred call to build relationship with the caretakers in the unseen world who want to support the earth and her inhabitants at this time. These helping spirits might be the spirits of nature, animals, plants, the elements, or ancestors. The reason for developing personal relationships with spirit helpers is to gain wisdom, healing techniques, and other vital information that can benefit the community. Similar to the way friendships develop gradually, our relationships with spirits grow and deepen based on repeated interaction and building trust over time.

6. To reconnect with benevolent ancestors: Your ancestors and the collective spiritual power of all those who went before you reside in the spirit world. When your own time comes to pass on, you will become part of this vast collective unconscious. If you embark on a journey with the intention of connecting with those who have passed, they may come to meet you. Keep in mind that spirits choose to come into relationship with the person seeking. You can seek ancestral spirits, but the spirits must choose.

7. To prepare for death: Shamans believe that learning to leave the physical body is important, for without this experience, the soul may become confused after death and remain stuck in the Middle World. When a person dies, there is usually a smooth transition into the afterlife, but when a person suffers a traumatic death, they may not have an awareness of who and where they are. This makes it difficult for them to make their journey to the afterlife. Other souls linger in the space between life and the afterlife for fear of going to hell. Sadly, most of the psychopomp rites of passage that once helped prepare a person for death have disappeared. Hence, journeying is one of the most important shamanic skills that we can develop. By journeying to the Lower World, the place to which human souls travel upon physical death, we can prepare for our own death. That said, perhaps the most compelling reason to journey is...

8. To find ways to restore balance in the world: As anthropologist and author Felicitas Goodman points out, "One of the most pervasive traditions of shamanic cultures is the insight that there exists a patterned cosmological order, which can be disturbed by human activity." When harmony between the human realm and the original intended pattern is disturbed, the shaman makes a spirit journey to the Upper World to bring back the balance. Shamans also go there to acquire archetypal knowledge, to bring a vision into being, or to influence events in the material world. By interacting with the archetypes, the shaman interacts with their counterparts in the outer world.

Try a Shamanic Journey

To enter a trance state and support your journey, click here to listen to a track from my CD "Shamanic Journey Drumming." Reflect for a moment on the purpose of your journey, and then close your eyes. Focus your attention on the sound of the drum and feel yourself being carried away by the sound. If for any reason you want to return, just retrace your steps back. You will hear a call back signal near the end of the video, followed by a short period of slow heartbeat drumming to assist you in refocusing your awareness back to your physical body. Sit quietly for a few moments, and then open your eyes.

After the journey, you must then interpret the meaning of your trance experience.  In some cases, your journey experiences will be clear and easy to understand. At other times, your journey may be dreamlike and full of symbolism. Interpret such journeys as you would any dream. Look for possible associations related to each symbol or image. The key is to observe whatever happens without trying to analyze the experience. Like developing any skill, journeying takes practice. Nothing may happen on your first journeys. You may only experience darkness. When this happens, simply try again at a different time. To learn more, read my article Shamanic Journeying.

Drum Circle Instrument Guide

Shamanic drum circle instrumentation centers around percussion, but may include other instruments, such as flutes, didgeridoos and other non-percussion instruments. Every musical instrument has a unique energy, spirit and sound. Sound is regarded as one of the most effective ways of establishing connections with the spirit realm, since it travels through space, permeates visual and physical barriers and conveys information from the unseen world. Sound-producing instruments facilitate interaction and relationship among all parts of the living world.

Conch Trumpets - Sound does not just travel out into oblivion. There is a call and then a response. When Iroquoian people of present-day central and upstate New York discuss "sending out a sound," they mention blowing on a conch shell to attract attention, signaling the start of a ceremony, notifying the community, and drawing the Creator's participation. The conch is sounded at the beginning of important rituals because the sound is believed to have the ability to drown out any negative words or noises that might disturb or disrupt the harmonious atmosphere. The sound of conch is understood as the source of all existence -- a cosmic womb, for when the conch is blown, it is said to emulate the primordial sound from which all else emanates.

Didgeridoos - The didgeridoo is one of the world's oldest musical instruments, originating in Australia many thousands of years ago. It is a wooden wind instrument that produces a resonant trance inducing drone called "the voice of the Earth" to support the listener in making shamanic journeys. Didgeridoos produce a range of infrasonics; extremely low frequency sound waves that are below the human auditory threshold but nonetheless enter the brain. These waves are picked up by the cochlea (labyrinth) of the ear and influence the vestibular, circadian systems of the brain. Infrasonics stimulate a wide array of euphoric trance-like states. This may help to explain why the didgeridoo found its way into Aboriginal shamanic and healing practices thousands of years ago.

Drums - The circular frame drum is the most popular instrument played in shamanic drumming circles. These drums are durable, easy to handle, and highly resonant. Plus, frame drums are less intimidating than other drum types, based on the simple design and method of play, allowing beginners to easily stroke a rhythm, and enabling those with disabilities to reap the benefits of rhythm and sound therapy. However, by their very nature, most community drum circles invite all to participate with whatever percussion instrument is available. Virtually any type of drum may be played, though most drum circles exclude drum kits. So, by all means, do not hesitate to play any instrument you have available such as a djembe, conga or tambourine.

Flutes - According to Ute-Tiwa shaman Joseph Rael, "The flute is an instrument connecting the two worlds, the non-physical with the physical. The breath of the flutist is the breath of God coming through a hollow reed; the sound is that of the invisible lover courting the visible lover, the metaphor of the lover and the beloved." The flute opens a path of communication between the spiritual and earthly realms. The flute is related to the soul, which extends far beyond the physical body, connecting us to the symphony of the universe. Something transcendent happens when you begin to play a flute. You journey deep inside yourself and bring out the cosmic music of your soul. Nothing matters -- audience, place, time -- you just get lost in the music. You become the music -- notes, rhythm and melody.

Rattles - The repetitive sound of the rattle, like that of the drum, helps induce trance states. The shaking of rattles creates high-pitched frequencies that complement the low frequencies of drumbeats. The high tones of rattles resonate in the upper parts of the body and head. The low tones of drums act primarily on the abdomen, chest, and organs of balance, while stimulating an impulse toward movement. Rattles stimulate higher frequency nerve pathways in the cerebral cortex than do drums. This higher frequency input supplements the low frequency drumbeats, thereby boosting the total sonic effect.

Voice as musical instrument - It is likely that the first musical instrument was the human voice itself. The voice can be viewed as the ultimate musical instrument, since it is capable of instant expression with no instrument required to render thoughts and feelings into sound. With the human voice, thought nearly equals sound. The voice is capable of producing an incredibly wide range and depth of expressions. Musicians often replicate aspects of the human voice with their instruments because of its pure expression and feeling. The human voice is the social glue that binds us and the most important sound in our lives.

Energy Body Clearing

Energy body clearing is a term used to describe specific techniques that people use to keep their subtle body, or energy field, clean from the negative thoughts and emotions of others. According to various esoteric and mystical teachings, the subtle body is that part of our being or consciousness that leaves our physical body at the time of physical death. It is the interface between the mental, spiritual and physical aspects of one's being. The physical body consists of energy that vibrates very slowly, which is why it appears to be solid. We are energy beings living in an energy world, so our subtle body interacts continuously with the energy of others.

Whether we realize it or not, we are attracting harmful energetic vibrations from our environment. Picking up negative energy that is not ours can make our energy body less balanced and can cause blockages to the natural flow of energy in our body. We may feel tired, unbalanced, anxious, depressed, or even sick. We can clear our fields through various cleansing techniques, leaving us feeling relaxed and rejuvenated. Energy clearing also releases negative, limiting, or otherwise outmoded patterns of belief that aren't serving us anymore. Here are five effective energy body clearing techniques:

1. Smudge Yourself Daily

Smudge yourself and your home each day. Smudging is a method of using smoke from burning herbs to dispel negative energy and open the energy channels of your body. Sage, cedar, and sweetgrass are traditionally used for smudging. Light the herbs in a fire-resistant receptacle and then blow out the flames. Then use a feather or your hands to fan the smoke around your body and home. I recommend cracking a window or door for ventilation and for releasing unwanted energies.

2. Cleanse Yourself with Holy Water

Learn how to make your own consecrated, or holy water, and use it for cleansing, protection, and blessing. Essentially, holy water is water with salt added during a rite of blessing. Pour some holy water into a spray bottle. For an energy body cleansing, spray it toward yourself from arms length (avoiding your eyes, of course). To bless and protect your home, spray holy water around the perimeter of your dwelling and yard. Many people will dismiss the power of holy water based on its association with the church. This is not about religion; this is about a pragmatic solution to an age-old problem. The fact of the matter is that holy water is your best protection against negative and dark energies.

3. Cleanse Yourself with White Light

Light--imagined or real--is a powerful energy body cleanser. White light can be called upon by anyone for cleansing, healing and protection from negative energies. Lie or sit comfortably. Do some deep breathing to calm and focus your mind. Visualize a sphere of white light emanating from your heart. Just allow it to expand outward until it completely fills and surrounds you. Envision the white light purifying and restoring your body, and displacing any negative or foreign energy. Really focus on seeing it clearly in your mind, and keep building it up so it's brilliant and glowing. You can keep expanding the light, sending peace and love out into infinity.

4. Take a Sea Salt Bath

Sea salt has remarkable cleansing abilities. Having a soothing bath containing sea salt when you feel energetically overwhelmed can really make a huge difference in the way you feel. Just a handful of sea salt dissolved in a hot bath is a reliable remedy for clearing and recharging the energy field. You can use regular sea salt, Himalayan salt, Epsom salt, or other. Preferably, soak for at least 30 minutes, and say a quick blessing over the water before you get in. Keep a generous supply of drinking water on hand as well, and bless that too!

5. Raise Your Energy Body's Vibration

Drumming, chanting and prayer raise your vibration, open the heart and connect you with a power greater than yourself. Chanting has no limitations of time and space and can be done anytime or anywhere. Chants move us to a level of awareness beyond form, a place where we discover our own divinity. Regular prayer is a cornerstone of spiritual practice. Praying brings us Divine help, reduces our ego, grants us forgiveness of mistakes, and more. Repetitive drumming, chanting and prayer cleanse the energy body, boost the immune system and produce feelings of well-being, a release of emotional trauma, and reintegration of self.

Drumming in the New Year

Happy New Year to you all! As 2019 comes to a close, I will be celebrating New Year's Eve by drumming out the old year 2019 and drumming in the New Year 2020. Drumming in the new year is believed to have originated in ancient China when creating noise from drums and fireworks was thought to dispel evil spirits and bring good luck. For thousands of years, the drum has been used as a tool for moving through sacred transitions, honoring changes in seasons, and attuning to the cyclical rhythms of nature. Drumming in the new year is a great way to set the tone and intention for 2020. It is also a good time to reflect on the year ending to see where you have erred and reform those beliefs, attitudes, and strategies no longer applicable to the New Year unfolding. It is an opportunity to feel gratitude for all that has been received and accomplished throughout the past year. Such a fresh open-minded approach will broaden your perspective and start you out on the right track. What will you be "drumming" into your life for 2020?