by José Stevens
©2023 All rights reserved
www.thepowerpath.com
Sunday, December 31, 2023
Discovering the Power of Perception
Sunday, December 24, 2023
Saint Nick the Flying Shaman
Sunday, December 17, 2023
Winter Solstice: The Return of the Light
Sunday, December 10, 2023
Life is a Walking
Sunday, December 3, 2023
Calling the Spirits
The opening of sacred space for ceremony or spiritual work is essentially an invocation, calling in the spiritual energies of the seven directions: East, South, West, North, Above, Below, and Within. Calling the spirits is an ancient shamanic rite that is practiced cross-culturally to access and honor the powers of creation. Inviting their presence, participation, and assistance not only aligns us with their power, but also is a way of giving energy that helps revitalize these primal forces.
Calling in the directions is a spiritual activity in and of itself. The orientation embeds you in the living web of life, yielding greater awareness and perspective. It imparts a comprehensive recollection of the basic experience of being fully human. The ritual grounds you completely into the present moment to begin your day or to begin a specific shamanic practice.
The specific words of your invocation to the spirits do not matter. What matters is that your prayer comes from the heart. You must show the spirit world you have passion and heart. The energy that comes in from the source is directed through our hearts. Your heart must be clear and open in order to receive spirit. You must open the heart, empty the mind, and go deep within.
Make sure you have everything you need before starting. Gather together your ritual items and set up an altar. Although an altar is not essential, it provides us with a focus to pray, meditate, and listen. An altar is any structure upon which we place offerings and sacred objects that have spiritual or cosmological significance. It represents your world center. I use a Navajo rug for my altar. I lay the rug in the center of my sacred space and place a stone, a vessel of water, a lit candle, and a feather upon it to represent the four elements: earth, water, fire, and air. You can also place photos of loved ones on your altar so that they are included in your prayers.
1. To perform this ritual, relax, purify (smudge), and center yourself as you would for other spiritual work. When you are ready, begin your invocation. There are no rules or restrictions governing this process. On most occasions, a sacred circle is cast in a sun wise direction, whether in the northern or southern hemispheres. Some people like to start in the direction of the current season: Spring = East, Summer = South, Fall = West, and Winter = North; however, I usually begin by calling the spirits of the East.
2. In a group ritual, I like to have the participants stand in a circle or medicine wheel and face each direction in unison. Use your right hand, or hold a feather in your right hand, to fan smudge offerings to the East. You can also offer a pinch of tobacco or corn meal to each direction. An offering is usually made with the right hand. If you have a rattle, shake it four times to open a portal in the East to the spirit world. Using words, chanting, or song, invite the benevolent spirit powers associated with that direction to participate and assist in the ceremony. Welcome the spirits with an open heart and mind. Some people will whistle or make animal sounds to call in spirit helpers. Trust your instincts and intuition in this process.
3. Pause after calling the spirit helpers of the East and listen for any guidance or wisdom that direction has to share. The spirits will always respond when you call them. Sound does not just travel out into oblivion. There is a call and then a response. Pay attention to any guidance that comes to you. Communication may enter your awareness as a flash of color in your mind's eye, a visual symbol, a tingling of the spine or an inaudible sound heard deep within your soul. It may be visual, auditory, intuitive, or some combination of these. Sometimes it is just a knowing that your helping spirits and guides are now around you. You may feel energy flowing into your hands, feet, or arms or showering down through your crown. When I channel spirit energy, I often feel chills and goosebumps.
4. Next, pivot around clockwise and repeat the same procedure to summon the spirits of the South, the West, and the North. After that, summon Father Sky above and Mother Earth below. When invoking Father Sky, reach to the heavens; when invoking Mother Earth, reach down and touch the ground where you stand.
5. Finally, face the center of the circle (if you are in a group or in a medicine wheel) and bring your hands to your heart to invite the spirit of Within. Call upon the spirit of divine unity that flows from within the center of your being where the six directions meet. Welcome the gifts of balance, oneness, and connection with all things, for all things are one and all things are related.
6. When you have finished your spiritual work, sacred space must be closed. Follow the same procedure as for the opening, but in reverse order. Begin by thanking the spiritual energies of Within, Mother Earth and Father Sky, and then the North, West, South and East in a counterclockwise movement. Shake your rattle to say farewell to the spirits. As you rattle, give thanks to all your relations for the needs met. The phrase "all my relations" is used at the end of a prayer in many shamanic traditions, for all living things share in the relationships of life on Earth. Express your gratitude to the archetypal elements and helping spirits for being with you and send them off, releasing their energies to the seven directions.
Sunday, November 26, 2023
Combat Veteran Drummer Helping Veterans with PTSD
Abigail uses plant medicine, Reiki, shakers, and her most powerful weapon--her shamanic drum--to treat victims of PTSD in Kentucky and Ohio. Drumming enhances recovery through inducing relaxation, stimulating the release of emotional trauma and producing deeper self-awareness. The aim of treatment is to reduce the symptoms by encouraging the affected person to recall the event, to express feelings, and to gain some sense of mastery over the experience. To date, Abigail has helped over 57 veterans and facilitates this healing work for FREE.
According to Abigail: "There is no better gift you can give someone than to help return their consciousness. It's an honor to remind the others of their missions on Earth and to remove the proverbial 'lint' from their astral bodies."
In one of her spiritual journeys, she was gifted activations and explicit directions on how to facilitate the healings for the people. The exact phrase of cosmic wisdom they shared was, "It will be like dominoes in the sea of consciousness, raising the frequency with each of the healings. HEAL THE LIONS!"
Abigail is a shining example of compassionate people reaching out to help those in need as they navigate their spirit path in this life. Aho!
Sunday, November 19, 2023
The Power of Thanksgiving
Sunday, November 12, 2023
Initiation into Shamanism
The Dismemberment Journey
Initiation into shamanhood often involves the visionary experience of symbolic dismemberment--the experience of being taken apart, devoured, or torn to pieces. In a classic dismemberment journey, the apprentice witnesses their own body being torn apart and perhaps completely destroyed. The apprentice dies a symbolic death and is then restored and brought back to life, whole and empowered. At its deepest level, the dismemberment experience dismantles our old identity. It is a powerful death-and-rebirth process. The experience of being stripped layer by layer, down to bare bones forces us to examine the bare essence of what we truly are.
2. Sandra Ingerman. "Messages from Sandra Ingerman." Transmutation News (Mar. 2011): <https://www.sandraingerman.com/transmutation-news/english/english-2011/page/2/>.
Sunday, November 5, 2023
The Shamanic Horse
1. Kira Van Deusen, "Shamanism and Music in Tuva and Khakassia," Shaman's Drum, No. 47, Winter 1997, p. 24.
2. Kira Van Deusen, Singing Story, Healing Drum: Shamans and Storytellers of Turkic Siberia (McGill-Queen's Press, 2005), p. 124.
3. Van Deusen, Singing Story, Healing Drum, p. 122.
Sunday, October 29, 2023
Honoring the Ancestors on Samhain
Sunday, October 22, 2023
The Mysterious Peterborough Petroglyphs
Designated a National Historic Site of Canada in 1976, local indigenous people believe that this is an entrance into the spirit world and that the Spirits actually speak to them from this location. They call it Kinoomaagewaapkong, which translates to "the rocks that teach."
The petroglyphs are carved into a single slab of crystalline limestone which is 55 metres long and 30 metres wide. About 300 of the images are decipherable shapes, including animals, humans, shamans, solar symbols, geometric shapes and boats.
It is generally believed that the indigenous Algonkian people carved the petroglyphs between 900 and 1400 AD. But rock art is usually impossible to date accurately for lack of any carbon material and dating artefacts or relics found in proximity to the site only reveals information about the last people to be there. They could be thousands of years older than experts allow, if only because the extensive weathering of some of the glyphs implies more than 1,000 years of exposure.
There are some other mysteries surrounding these remarkable petroglyphs. The boat carvings bear little resemblance to the traditional boat of the Native Americans. One solar boat -- a stylized shaman vessel with a long mast surmounted by the sun -- is typical of petroglyphs found in northern Russia and Scandanavia. A Harvard professor believes the petroglyphs are inscriptions (and maybe even a form of written language) left by a Norse king named Woden-lithi, who was believed to have sailed from Norway down the St. Lawrence River in about 1700 B.C., long before the Greenland Viking explorations.
Another vessel depicted in the petroglyphs is a large ship with banks of oars and figure-heads at bow and stern. There is a large steering oar at the stern, a necessary feature only for vessels that are 100 feet or more in length. However, the Algonkian people who inhabited the region never built anything more seaworthy than a birch-bark canoe or a dugout. Even reluctant archaeologists admit that the ships "do not look like real Algonkian canoes" but steer away from any controversial conclusions about pre-Columbian visitors by speculating that the vessels are simply a shaman's idea of magical canoes that travel the universe.
Another peculiarity is the figure-heads at bow and stern which resemble birds. The same design can be seen in Etruscan repousse gold work of the 9th century BC. The bird-headed ships were portrayed 200 years earlier, when Egyptian artists carved their images into the walls of Pharaoh Ramses IIIs "Victory Temple" in the Valley of the Kings.
Yet another mystery is the presence in the petroglyphs of a tall figure or 'god' which stands with arms akimbo and with a halo radiating rays, presumably from the sun. Cowering before him are two minute humble humans in attitudes of supplication. Scientists think the figure may represent a sun god but there doesn't exist any known cases of sun worship among the indigenous people of the region.
Some historians and researchers believe there is more to the petroglyphs than meets the eye. Some maintain that they are in fact a sky map of the heavens based on European tradition from 3100 BC. Evidence includes four signs which are the same as those found for the identical astronomical position at Lewes, England, leading to a possible speculative connection between the Peterborough petroglyphs and the megalithic people of Ancient Britain.
So the petroglyphs of Peterborough remain an intriguing riddle, a sort of code to which the key is still missing.
Sunday, October 15, 2023
168 New Nazca Geoglyphs Discovered
Other theories were that the geometric lines could indicate water flow or irrigation schemes, or be a part of rituals to "summon" water. The spiders, birds, and plants may be fertility symbols. It also has been theorized that the lines could act as an astronomical calendar, as proved by the presence of radial centers aligned along the directions of winter solstice and equinox sunset. Researchers believe that the geoglyphs were the venues of events linked to the agriculture calendar. These also served to strengthen social cohesion among various groups of pilgrims, sharing common ancestors and religious beliefs.